**Everette live at Eddie's Attic!**

“At an after party one night we watched a video of The Band’s “The Last Waltz” over a bottle of Knob Creek. It sounded like the dirt I grew up from. That moment musically changed my life.”

~ Brent Rupard of Everette

Like the great American bands that came before them - new Broken Bow Records duo Everette doesn’t follow trends. Instead, the guys of Everette write what they live, weaving gritty tales of struggle and heartbreak alongside fun-loving stories of escapism and mischief. Often their songs are written while touring – sometimes during sleepless nights as an odometer tracks the miles or on a day off in a dingy motel room off the beaten path – but always organically and always from the heart.

Hailing from humble beginnings, Brent Rupard and Anthony Olympia unknowingly went to high school a mere eight miles apart in rural Bullitt County, Kentucky. Brent spent much of his youth on his family’s horse farm and even dabbled in barrel racing. Anthony’s grandpa was a hall of fame quarter horse trainer and, although their families were friends, the two musicians wouldn’t meet until the age of 21 when Brent took a guitar lesson from the classically-trained Anthony.

Their friendship and musical chemistry was immediate and the pair soon moved to Bowling Green, KY, where the duo cut its teeth playing originals and covers four nights each week while finishing their degrees at Western Kentucky University. It was the burgeoning Bowling Green music scene that Brent and Anthony credit for shaping them into the songwriters and artists they are today, particularly at a venue called WHA bah.

“Once we started playing music at WHA bah the crowd wasn’t just college kids anymore – it was people of all ages and all walks of life. They taught us to how to have a good time and not worry about proving ourselves to anyone. They taught us to be true to ourselves,” says Anthony.

The two friends moved to Nashville after graduation to “chase the dream” together. Brent started a solo career. Anthony began working as a musician for hire to pay the bills while still playing in Brent’s band. Throughout this time the roommates continued to write and record demos together until the day the two collaborators decided to form the duo Everette during a writing session – and an American band was born.

Named for George Clooney’s character in “O Brother, Where Art Thou?” the duo of Everette is a bonafide triple threat. Brent and Anthony co-write almost all of their songs as well as play many of the instruments on Everette’s studio recordings. The two young artists are also co-producing their debut project, an experience Brent calls “spiritual” and one that is critical to the authenticity of Everette’s brand of Country music.

“We have a certain type of rhythm and we get into a symbiotic zone together in the studio that makes the song work,” explains Anthony. “We have a mutual respect for each other’s talent and each other’s feedback when we disagree. Trying to redo a song in someone else’s studio – it just isn’t the same.”

Everette’s brand of country music is filled with swampy harmonicas and bluesy guitar licks mixed with a knack for melodic hooks not unfamiliar to fans of the 80s and 90s. Citing diverse influences ranging from Tom Petty, The Eagles and Randy Travis to Ray Charles, Michael Jackson and John Mayer, Everette’s honest and relatable music exudes a crossover appeal that would have fans singing along at Bonnaroo as well as at CMA Music Fest.

Everette’s “Slow Roll” is a rollicking, carefree number inviting the listener to escape from the trappings of city life into an afternoon of leisurely possibility. With a dance-friendly beat and an infectious chorus, “Slow Roll” showcases the duo’s clever songwriting abilities, including a nod to pop culture classic “Dazed and Confused.”

Hips will immediately begin swaying to Everette’s intoxicating “Mugshots.” At once dangerous and fun-loving, the duo utilized a steel resonator to add a “Tarantino soundtrack vibe” to the song. That unique element, paired with the song’s arena rock chorus, is sure to make “Mugshots” the universal anthem of wild summer nights.

The duo switches gears with the dark and gritty “Relapse” which showcases an intensity and depth to the young artists’ songwriting abilities. Everette credits the “magic” of the heart-wrenching lament to writing it while on the road without time limitations or constraints.

Everette often describes its brand as “bonfire music” because of its communal nature, which relates directly to the Country music genre. “It’s the same thing we love about Country music and Country radio,” says Brent.

“Just like everyone’s involved at a bonfire jam,” says Anthony. “When we’re on stage we don’t want any separation between us and the audience. We want our shows to be an experience. We write songs about us, but they’re really about everyone.”

This is an all ages event.

Eddie's Attic

Everette 

Everette - Bout That Life

Everette

Gigs

Atlanta

**Howie Day live at Eddie's Attic!**

Howie Day’s emotionally resonant lyrics and inventive melodies have earned him both critical praise and a legion of devoted fans. He is known for his energetic, heartfelt shows, where he connects with audiences through the strength of his songwriting and his quirky sense of humor. Day’s warm tenor voice “soars into fluttering, high registers, but also grates with real, pleading grit,” as one critic put it. After sales of over a million records and two Top 10 hits, Day is back on the road in support of his new studio album, Lanterns.

A native of Bangor, Maine, Day began playing piano at age five and guitar at age 12. By 15, he was writing his own songs and performing across New England. Shortly after graduating high school, Day became a fixture at college coffeehouses across the U.S. He wrote, financed and released his first effort, Australia, which was named Best Debut Album at the 2001 Boston Music Awards. The Boston Globe called Day “gorgeously seasoned, far beyond his years” with “a brave, beautiful singing voice.” During his relentless touring schedule, Day began experimenting with effects pedals and loop sampling techniques as he performed, layering live percussion with vocal harmonies and guitar parts to become a veritable one-man band. He went on to sell over 30,000 copies of Australia as he navigated the independent music scene and continued to hone his craft.

This is an all ages event

HOWIE DAY - AUSTRALIA 20TH ANNIVERSARY SHOW

Howie Day - Disco

Howie Day

**Andrew James and friends live at Eddie's Attic!**

Andrew James, Logan Pilcher, Benjamin Strawn, James Caronna, & Joel Adam Russell

This is an all ages event.

Andrew James’ Birthday Show with Special Guests

Andrew James - Always

Andrew James

**Giacomo Turra live at Eddie's Attic!**

Giacomo Turra is an Italian musician born in 1997. Intrigued by the vinyls of his father, Giacomo started playing guitar at the age of 13, learning by jamming on his favorite artists like Stevie Wonder, George Benson and HerbieHancock.

In 2018, he started his solo musical project, exploring R&B, Funk and Jazz and releasing his first singles under the name JMT between 2019 and 2020. In March 2020, during the pandemic lockdown, Giacomo started posting videoperformances on his Instagram account, soon becoming an Artist for D'Angelico Guitars and gaining hundreds of thousands of followers.

Carrie is known for her low and resonant voice "..as rich as Godiva Chocolate" according to The Austin Statesman, for her musical depth and the progressive spiritual content of her songs, poetry and workshops, and for her continued work in justice, spiritual and interfaith communities, and health and hunger organizations. She lives in the wooded hills of South-Central Indiana with her husband and two shaggy rescue dogs.

**Rujen**

Experts have studied the mysterious name RUJEN for centuries, eager to understand its meaning and the music surrounding it. It's only recently that one particularly determined genre-scientist was able to describe the word and the band's music as "some sort of indie-psych-hippie-jazz-rock". Research continues still to this day.

This is an all ages event.

Giacomo Turra with special guest Rujen

Giacomo Turra - Get Into The Groove

Giacomo Turra - Spring

Giacomo Turra

**Grace Asbury and band live at Eddie's Attic!**

NOT the typical run-of-the-mill country artist … Grace Asbury is a rockin’ country singer who writes great songs with infectious melodie’s that stick to your ears!

This is an all ages event.

Grace Asbury 

Grace Asbury - Pour Me

Grace Asbury

**Mishka live at Eddie's Attic!**

With his new album, This Love, five-time Billboard Reggae Album Chart topper, the beloved Bermuda-born, Hawaii-based singer-songwriter Mishka, has taken a turn inward. The acclaimed artist has been named iTunes Best New Artist in the Singer Songwriter category, has been praised by Rolling Stone, Paste, Relix and American Songwriter and has headlined shows around the world. He has also shared the stage with everyone from Jimmy Buffett to The Wailers and Julian Marley. But rather than continue cruising on a predictable path, he has opted to stake out new territory—starting with a shift in his sound.

“I realized that what was really touching people were the songs that were most personal,” says Mishka. “I have songs about bigger themes or world situations, but the ones that were actually moving people were about my own daily experience or relationship experience—being a husband, being a father, being a man working on the road. Those are the things that seemed to actually connect with people, because they’re the ones I can speak to most honestly.”

“We had a very clear musical vision for this album, which is that this would be a singer songwriter record,” he says. “The emphasis is on the vocals and the acoustic guitar, but we also brought in elements that aren’t necessarily representative of the troubadour singer-songwriter sound. We wanted it to be bass-heavy and sparse, so it’s got reggae and soul in it, but still holding the acoustic vibe throughout, and making sure my voice wasn’t crowded by a lot of production.”

This intentional step outside his musical comfort zone is immediately evident on the infectious and refreshing lead single “This Love” as well as on “Come Back to Me.” “I was just playing around with chords and a kind of chugging rock vibe, and came up with that song. The lyrics could be interpreted as the lover speaking to the lover, but it’s also the self speaking to the self—come back to center, come back to clarity.”

Born to a Bermudian father and Nova Scotian mother, Mishka grew up on his family's boat, sailing in the Caribbean. He was an avid windsurfer and dingy sailor growing up and he still windsurfs as often as he can; “it breathes life into everything I do.”

Mishka was signed to Alan McGee’s legendary Creation Records early in his career. His first single, "Give You All The Love," charted in the Top 40 in the UK and the Top 10 in Japan. Despite the success of his self-titled debut album, he wasn’t completely satisfied with the musical direction he was headed in.

“Although I love it now, my first album wasn’t entirely the record I wanted to make at the time,” he says. “I’m a huge reggae fan, so I wanted to make a full-on roots reggae album. But Alan Mcgee was like ‘No, man, you’re more of a folk artist/singer-songwriter.’ “He had literally wanted me to make a record in the vein of Dylan’s “Blood on the Tracks.” It was a tricky dance for me because I was a white kid who grew up in the Caribbean. My own family music culture was mostly about listening to ’60's folk artists like Cat Stevens and Joni Mitchell, but the larger culture around me that embraced me and that was informing my world view, my politics and my spirituality was Black,

Caribbean, Rasta. In the end I made the record the way Mcgee wanted but because of that, I became even more determined to make more of a reggae sound. I was very set on genre and creating what I was inspired by. In hindsight, I think Alan’s vision was cool and the record really captured a specific moment in time, my youth, the island of Nevis where I lived at that time, romantic love and spiritual awakening.”

Mishka’s subsequent albums saw him working with such celebrated producers as Butch Walker and Martin Terefe and collaborating with legends Willie Nelson and Jimmy Buffett. Three of his albums reached Number One on iTunes’ Reggae Albums chart, and he has a devoted listenership of over 270,000 on Spotify with over 70,000,000 streams to date on Spotify and Pandora alone. Additionally, Mishka enjoys year round heavy rotation on Sirius XM’s No Shoes Radio and Radio Margaritaville.

When it came time to make This Love, Mishka knew that he was to switch things up. “Over time, the music starts to tell you what it wants,” he says. “I’m just trying to let things be what they want to be, and it’s quite liberating. It’s more interesting, too, rather than giving everything the same treatment. I think we did a good job giving each song what it needed.”

He and producer Joti Mangat committed to staying in the studio and putting in the time necessary to figure out what the album was going to be. “It was a lot more deliberate than anything I’ve ever done,” he says, “and that was both a joy and a challenge, because I had to really stretch my imagination to create the soundscape that I wanted.”

Mishka notes that the real transformation of the album came when they brought in drummer Matthew “Indio” Hardwick to add his parts to the demo recordings - that the shift was evident on “Close to Your Heart,” the first song he took on. “When we heard that, it blew our minds,” he says. “From that point, we wanted to start changing other elements because he brought it to a different level. Then each song started to blossom into its own thing.”

For the album’s title track, that meant spending days in the vocal booth layering vocals and then, adding 32 part violin and cello arrangements. On “All the Same,” upright bass was used to infuse the song with more of a jazz swing groove. “I’d never done a song with that kind of feel,” says Mishka. “It brought so much character and tone, and gave me the idea to do stuff in a more stripped-down vibe.”

Meantime, as Mishka winnowed his lyrics to put the focus on more intimate material, he noticed a change in his own use of language. “I let go of being literal on some of the songs,” he says. “There’s a story being told, there’s rhymes and cadence, but I think I painted with broader strokes and I was able to put more emotion in them.”

Of course, in addition to the inspiration he draws from his family, Mishka also continues to turn to the water that has always been so central to his life. “From Bermuda to Nova Scotia to Hawaii, I’ve spent most of my life close to the ocean,” he says. “That never ceases to feed me or nourish my soul and my body on every level. I find rhythms, lyrics, all kinds of stuff out there, but it also gives me energy, life force, an immense amount of vitality.”

With This Love, Mishka has written a new chapter and set a new course for a career. He says that he finds motivation in the work of younger artists. Mishka notes “Michael Kiwanuka is killing it, the way his music comes across is just profound,” but also in those songwriters of all genres who stay true to their vision.

“I have huge admiration for people who have really stuck to their craft — Bob Dylan, Tracy Chapman, so many others — the songwriters who are able to keep writing and keep conveying powerful messages,” he says. “There’s an assuredness in those people, they know who they are. And that’s a lesson, because most of us don’t know who we are most of the time.” Mishka laughs “I aspire to know who I am someday.”

This is an all ages event.

Mishka

**Leah Marie Mason live at Eddie's Attic!**

Leah Marie Mason never tries to be perfect. Instead, the North Carolina-born and Nashville-based singer, songwriter, and artist allows her edges to frame an intimate and infectious brand of Country that could resonate from a small town to the top of a big city. By doing so, she energizes the genre with universal pop appeal. By the age of eleven, Leah started performing in a classic rock band with her older brother, belting out Heart and Pat Benatar covers. After a year at Berklee College of Music, she brought her talents to Nashville’s Belmont University. Inspired by everything from the classic songwriting of George Strait, bluegrass of The Steeldrivers, and 21st century sound of Billie Eilish and Dua Lipa, she spent countless hours writing and honed a sharp signature style, resulting in her debut single “Far Boy.” Taking the reins of her career, Leah watched YouTube tutorials about uploading media to Spotify, outsourced cover art, and finally decided to launch a TikTok page to promote “Far Boy.” The song played over a video captioned “I called my ex to hang out so he could listen to this song I wrote about him,” and it organically exploded with 13M views. After amassing tens of millions of views on TikTok and cracking over 20M streams across platforms independently, Leah readies her debut EP Honeydew and Hennessy which will release on April 14, 2023, a collection of six carefully crafted tracks that serve as a time capsule for the growth and changes her life experiences have brought her. Continuing to magnify the scope of Country and the accessibility of pop all at once through her raw and vulnerable storytelling, “my only hope is that it can inspire someone else as well,” Leah states.

This is an all ages event

Leah Marie Mason 

**Tony Evans Jr live at Eddie's Attic!**

This is an all ages event.

Tony Evans Jr

Somebody's Gotta Do It

Tony Evans Jr.

**Sam Johnston & Bonner Black live at Eddie's Attic!**

Bonner Black, the classically trained ballerina turned Nashville Indie Pop singer/songwriter from Hot Rock, TN, defies simple description. Black started dancing at a very young age and was a Senior Company member under Clinton Rothwell at the Academy of Classic Arts in Huntsville, AL before deciding to dedicate her life to music.

She taught herself to play guitar in her early teen years, and started writing and performing in Nashville 3-5 days a week at 14. At 17, Black moved to Nashville to continue honing her craft and embarked on her first regional tour throughout the Southeast shortly thereafter. During that same time, Black participated in four lobbying trips with NSAI to Washington, DC to advocate for songwriters and copyright law reformation. In 2016, she was awarded the Artist Entrepreneur Award by The Oxford Center of Entrepreneurs at The Times Center in New York City.

Fast forward to today, and her music springs from many facets like rainbows of light and color showcasing her Southern roots blended with catchy melodies and lyrics. As an independent artist, Black has amassed over 344.1k streams across all platforms while cultivating an enthusiastic and engaged fan base and online community.

Her Debut EP, Out Of Dreams, was released May 6th and contains Black's four recent singles as well as "Take It All" and "The Old Way." Out Of Dreams tells stories of lost love with sharp lyrics and melodies designed to burrow deep into your soul. “Light Me Up” landed on Spotify’s Today’s Singer-Songwriter playlist, was featured on People.com, and is her most streamed single to date. “Midnight Blue” brought about Black’s first Apple Music playlists with New In Singer-Songwriter and Breaking Singer/Songwriter. Both of these songs as well as “The Old Way” were also featured by renowned Indie tastemaker, Alex Rainbird. It's impossible to remain unmoved as you work your way through the Out Of Dreams EP capped at the end by "The Old Way," the cliffhanger for what to expect on Black's next project to be recorded later this year.

This is an all ages event.

Sam Johnston & Bonner Black

Bonner Black - Light Me Up

Bonner Black

Sam Johnston

**Nanseera Wolff live at Eddie's Attic!**

Nanseera is a Miami/Atlanta based singer songwriter with an old soul and a distinctive style. With a guitar and a knack for poignant lyrics, she explores societal injustice and the experiences of the in-between with nuance and empathy. Nanseera brings a cathartic power to the songs and the stage. She is currently a sophomore attending the Frost School of Music at the University of Miami. When not playing music, Nanseera can be found spending time with friends and walking around barefoot.

This is an all ages event.

Nanseera Wolff

Nanseera - Atlanta

Nanseera

**Channing Wilson live at Eddie's Attic!**

For Georgia-bred country artist Channing Wilson, writing great songs means living each day with an immense depth of empathy, curiosity, and devotion to inspiration. “A songwriter can’t live 50 lifetimes—but if he’s worth his weight in anything, he’d better be able to write like he has,” Wilson says. With his past triumphs including penning songs for heavy-hitters like Luke Combs—as well as sharing bills with the likes of Steve Earle, Billy Joe Shaver, and Robert Earl Keen—Wilson now brings his warmly nuanced truth-telling to his long-awaited debut album Dead Man. Produced by eight-time Grammy-winner Dave Cobb (Sturgill Simpson, Jason Isbell, Chris Stapleton), the result is a timeless and truly singular body of work, revealing Wilson’s rare gift for turning the most painful aspects of the human condition into songs of life-affirming beauty.

All ages

Channing Wilson

Channing Wilson - Beer for Breakfast

**Dave Hause live at Eddie's Attic!**

On a base level, the term ‘blood harmony’ is simple—it describes the specific sound two siblings make when they sing together. Given that Dave Hause has been writing and recording songs with his younger brother Tim for a while now, it made sense to use that phrase as the title for his fifth solo record. But this being a Dave Hause album also means there’s much more to it than that. Beneath the surface of Blood Harmony, in fact, are multiple layers of meaning relating to Hause’s role as a musician, a brother, a husband, a son and—having become a father to twins a few months before the release of 2019’s Kick—a dad. As such, Blood Harmony is also a reassertion of what family means to him. Even more so because it’s coming out on the label owned by he and his brother. “I thought Blood Harmony was a great title” says Hause, “and really specific to how Tim and I have decided to work over the years. It also pertains to my children because they’ll have their own Blood Harmony. So the germ of the album, the beating heart, is that I’m in a true family. I have a grounded reason to work and a bunch of people that I want to make proud with the work that we do. It’s a family business.”

The importance of that was made all the more apparent after the coronavirus outbreak. Hause, with his brother, used that unexpected downtime to make the Patty/Paddy tribute EPs to Patty Griffin and Dillinger Four’s Patrick ‘Paddy’ Costello. After a while, though, like all touring musicians, he found himself without an income. So when his friend and former manager offered him some work nearby as a Covid safety supervisor for the company she set up after contracting Covid herself, he said yes. It was for one of the biggest celebrities in the world, so to prepare, Hause went to LA and worked on two shoots with two of music’s biggest stars. He was shocked at the scant disregard their teams had for their well-being. “These artists are so successful they never need to work again,” says Hause, “but the label and management were pushing to get away with stuff and it was totally unsafe. I was pretty disgusted seeing the industry at that level, and how much of it was simply greed and not caring about the safety of others. We were just starting to roll out the EPs on our own label, and the whole experience just ironed my resolve—I’m a family artist, and I never want to be in a position where people are urging me to do things that are bad for my or my family’s mental or physical health. That’s not what it’s about for me. It’s about connection. So that experience really reinforced this idea of blood harmony. I’m connected to my people, and this is a small little thing that we’re going to keep pure.”

You can hear Hause’s passion and dedication to his craft—as well as his determined approach to it—flowing through the veins of Blood Harmony’s ten stunning, sumptuous songs. Written with his brother over a series of weekly FaceTime sessions, they began crafting songs together in January 2021. They’d been writing remotely together since 2017’s Bury Me In Philly so it wasn’t an entirely new process for them, but they modified their approach slightly by giving themselves rigid deadlines. “We decided to get together on Mondays,” explains Hause, “to figure out what we wanted to work on, and by Friday we had to have something you could sing to someone who wasn’t a songwriter. It could be bad, but I didn’t want to just have vague ideas. We called it ‘Pencils-Down Fridays’. Over the course of three-and-a-half months, we ended up with 26 songs.”

They traveled with ten of those to Nashville, where acclaimed songwriter Will Hoge took up the helm of producer. Through Hoge’s connections, what Hause calls “a staggering bunch of musicians” was assembled to flesh out the songs he and Tim had written. He’s not wrong. There was Brandi Carlile’s drummer Chris Powell, Bruce Springsteen And The E Street band bassist Garry Tallent, acclaimed session guitarist Tom Bukovac, Jason Isbell’s guitarist Sadler Vaden, and keyboardist Billy Justineau, Mike Webb, and Jen Gunderman, who have played with the likes of Eric Church, Sheryl Crow, and more. Hause is the first to admit that it was a world away from the punk rock scene he’d made his name with as frontman of The Loved Ones. “They say that when you work in any field, you’re happiest when you initially get the respect of your peers,” he says. “Thankfully, I’ve had that respect for some time now. But in this situation, these people were not our peers. They’ve operated at the highest level of the music business that is even possible, so to get their respect was so gratifying. Their kindness and commitment to making the record great because they liked the songs was tremendous. I keep saying that if anybody else likes the record, that’s icing on the cake, because the way we wrote and made it was so wonderful.”

While nobody would say the quality of Hause’s previous albums was lacking, making Blood Harmony with those musicians was nevertheless a concerted effort to ramp it up. And it does. It begins with “Northstar”, a tender paean to the direction, comfort and joy his wife and twins have given him that also drives home the emotional resonance and sense of family at the center of this album. It’s followed immediately by “Sandy Sheets”, a nostalgic trip into a past long-gone that references the Gin Blossoms’ “Hey Jealousy” in its chorus, and which sounds every bit as iconic as that track. The gorgeous, lilting, paradise of “Hanalai” captures that rare sense of peace when you’re with the person you love and nothing else matters, “Surfboard” injects some rare, good-natured humor into the trials and tribulations of being working class—something that remains, as ever, an undercurrent here—while “Carry The Lantern” and its life-affirming, almost Thin Lizzy-esque riffs double down Hause’s commitment to his sobriety and his family. “A lot of being an adult for me is recommitting to your better angels instead of chasing your own tail,” he says. “That song is about facing temptation but redoubling your efforts to stay committed to the higher things that compel us to be better.” It’s followed by the gorgeous album closer “Little Wings”. Hause calls it a post-script, but it resonates much more deeply and feels more significant than that. In fact, it ends the album the same way it begins—with a tender song for and about his twins that’s full of the purest love and hope. It’s impossible to not hear and feel just how much they and his whole family—that beating heart at the center of these songs—mean to him. It’s a truly beautiful thing.

This is an All Ages event.

Dave Hause

Sandy Sheets

Dave Hause - Melanin

Tim Hause

**Eddie 9V live at Eddie's Attic!**

As far back as he can remember, Capricorn Studios was calling Eddie 9V. As a kid scanning the sleeves of his favorite vinyl records, this fabled facility in Macon, Georgia, was always the secret ingredient, adding a little grit and honey to every song born on its floor. Capricorn and the bands who blew through it urged the Atlanta guitarist to ditch school at 15, play his fingers bloody throughout the south, and turn apathy into acclaim for early albums Left My Soul in Memphis (2019) and Little Black Flies (2021).

Eddie spent his first quarter-century admiring Capricorn from afar. But in December 2021, the 26-year-old finally put his thumbprint on the studio's mythology, corralling an eleven-strong group of the American South's best roots musicians to track his third album. "There was overwhelming excitement at being in such a legendary studio," he says. "But we hugged and got right to work. Everyone was joyous, loving, and flat-out playing their asses off."

You don't come to Capricorn Studios for polish. Frozen in time since its opening day in 1969, the mojo from sessions by giants like the Allman Brothers and Bonnie Bramlett still hangs in the air, while the recording philosophy remains gloriously raw. That suited Eddie, whose output has been celebrated for its warts-and-all snapshot of what went down. "In a world where everyone is trying to sound the best, I'm trying to sound like me," he reasons. "I always want the listener to feel like they're in the room with us. So I'd leave it in if a drum pedal squeaked or someone laughed during a take on the Capricorn album. It's our way of putting a stamp on the song." Eddie's old-school ethos goes way back. Born Brooks Mason in June 1996, he acquired his first guitar aged six, "One of those with the speaker in it – the most bang for your buck, y'know?", ignored the prevailing pop scene at Oak Grove High School in favor of local heroes like Sean Costello and studied "older cats" like Muddy Waters, Howlin' Wolf, Freddie King, and Rory Gallagher "to see what made them groove and tick." His shoot-from-the-lip lyrics adds Eddie came from family fish fries, where his Uncle Brian "taught me to make people laugh, how to hold an audience's attention."

When Eddie infiltrated his home state's live circuit – first with covers band The Smokin' Frogs, then its more adept blues-rock offshoot, The Georgia Flood – he quickly pricked up ears everywhere he played. His artistic vision became full realized when he killed Brooks Mason and adopted the solo moniker that promises an electrifying night out, “Eddie 9 Volt”.

"There are too many Joe Schmo r&b bands," he reasons. "I was on the road with another band, and we were talking like mobsters. So we gave each other names – mine was Eddie."

Already, there has been massive acclaim for his early output, with Left My Soul in Memphis dubbed "fresh and life-affirming" by Rock & Blues Muse and Little Black Flies praised by Classic Rock as "the most instinctive blues you'll hear all year." But as the Capricorn sessions ticked closer, Eddie fused the nervous energy into his best songs yet. "Coming off a straight blues record, I wanted to show people we're more than that," he reflects. "I was listening to Muscle Shoals and soul, a lot of music recorded at Capricorn in the late-'60s too. So we spent way more time crafting the new tunes. Each song took a week to write, instead of five in one night like Little Black Flies."

“Beg, Steal and Borrow” is ballsy soul with Eddie's spit flecking the mic. “Yella Alligator” is as swampy-sounding as the title, with slide guitars lapping around cardboard-box beats. Bout To “Make Me Leave Home” is a propulsive shuffle, Eddie's vocal seemingly made up in the moment. The gospel-touched “Are We Through” catches a breath before How Long drapes mellow organ over bone-dry riffs. “It's Goin' Down” fuses porch blues with psychedelic woodwind, while “Tryin' To Get By” brings brassy strut while concealing lyrics from the perspective of a man on a downward spiral, surviving on the crumbs of a love affair. "The lyrics and meanings of these new songs are way deeper," says Eddie. "Take the song “It's Goin' Down". It’s really about my struggle with alcohol, the dangerous nightlife of bars, and the drugs offered to you in the music industry. But then, one of my favorite tunes, “Yella Alligator,” is about a fictional psychedelic party in the bayou..."

Likewise, Capricorn is an album of thrilling musical contrasts. Bob Dylan’s “Down Along the Cove” is a pugnacious blues-rocker, followed by Khristie French's gossamer lead vocal on the spiritual Mary Don't You Weep. Mellow Missouri is dusty as a great lost soul session, while brass punches through the glassy chords of “I'm Lonely”. Finally, the album ends with Eddie's laughter as he realizes he has no more to give: "I gotta come out of this room...!"

Never meet your heroes, they say, and many young artists have been overwhelmed by walking the holy ground of their dream studios. At Capricorn, Eddie 9V breathed in the history – but the album he spat out is worthy of sharing the name, standing shoulder-to-shoulder with the studio's greatest hits and taking music back to the golden age. "We made this record," he considers, "the way they would have done in 1969..."

This is an all ages event.

Eddie 9V

Eddie 9V - Back on My Feet

**Jim Lauderdale live at Eddie's Attic!**

Jim Lauderdale is a consummate entertainer, a sharp dressed man as well, a terrific songwriter and a great singer."– George Strait

“He’s my favorite part of Americana music” – Ketch Secor, Old Crow Medicine Show

“He’s a man of great style, an exceptional songwriter and tremendous singer” – Elvis Costello

“Jim Lauderdale could easily be called a renaissance man. He’s a great singer, great guitar player and there’s no way you could miss his work as a songwriter.” – Ricky Skaggs

At any given time, you’re likely to find Jim Lauderdale making music, whether he’s laying down a new track in the studio or working through a spontaneous melody at his home in Nashville. And if he’s not actively crafting new music, he’s certainly thinking about it. “It's a constant challenge to try to keep making better and better records, write better and better songs. I still always feel like I'm a developing artist,” he says. This may be a surprising sentiment from a man who’s won two Grammys, released 34 full-length albums, and taken home the Americana Music Association’s coveted Wagonmaster Award. But forthcoming album Game Changer is convincing evidence that the North Carolina native is only continuing to hone his craft.

Operating under his own label, Sky Crunch Records, for the first time since 2016, Lauderdale recorded Game Changer at the renowned Blackbird Studios in Nashville, co-producing the release with Jay Weaver and pulling from songs he’d written over the last several years. “There's a mixture on this record of uplifting songs and, at the same time, songs of heartbreak and despair—because that's part of life as well,” he says. “In the country song world especially, that's always been part of it. That’s real life.”

Lauderdale would know: He’s been a vital part of the country music ecosystem since 1991, when he released his debut album and began penning songs for an impressively long roster of country music greats. “When I was a teenager wanting to be a bluegrass banjo player, I never would have imagined that I would get to work with people like Ralph Stanley, Robert Hunter, Loretta Lynn, George Jones, Emmylou Harris, Elvis Costello, Lucinda Williams and John Oates ,” he muses. “Getting to work with them inspires me greatly to this day, and I know it always will.” ,” he muses. “Getting to work with them inspires me greatly to this day, and I know it always will.”

From rollicking guitar riffs on “That Kind of Life (That Kind of Day)” to the slow, sweet harmonies of “I’ll Keep My Heart Open For You,” Game Changer shows off Lauderdale’s ingenuity as a singer, songwriter, and producer—while reestablishing him as one of Americana’s most steadfast champions. "Country music is constantly evolving, but I'll always have a soft spot in my heart for steel guitar and a Telecaster," he says. "I have done my job on this record if people who love classic country feel like they can put it on, or have it in their collection, and it would fit right in."

Respecting the past doesn’t mean he’s not breaking new ground. “We’re All We’ve Got,” a co-write with Mary Gauthier and Jaimee Harris, offers a timely message about healing torn relationships at home and across the world. And “Friends Again,” a grinning number about rekindling a friendship, is fresh and forward-looking. At every turn, Lauderdale’s collaborative spirit and genuine love for the creative process reveal themselves in thoughtful, well-crafted songs sure to stand the test of time. "When everything works right, it's just magical to be able to hear them back," he says. "You feel, at least for those three-and-a-half minutes, like life makes sense.”

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Jim Lauderdale

You’ve Got This

**Lauren Morrow & Joshua Hedley live at Eddie's Attic!**

**Lauren Morrow**

"With her self-titled solo EP, Morrow has struck out on her own, debuting four songs that showcase her tender songwriting and inward-looking artistic vision." - Rolling Stone

"Lauren Morrow—known best as one-half of Nashville-by-way-of-Atlanta duo Whiskey Gentry—puts lyrical fire behind a classic country sound on her four-song solo debut." - Garden & Gun

"As she starts a new era of her career, she needs something to advantageously represent herself that isn’t The Whiskey Gentry, and this is what she accomplishes with these four songs. But most importantly, these four songs are really good." - Saving Country Music

After over a decade as the centerpiece of popular Americana band The Whiskey Gentry, Lauren Morrow packed her bags, her dogs, her cats, and husband and moved to Nashville to pursue a career as a solo artist and grow her craft as a songwriter and performer. Within months, she released her first solo EP to widespread critical acclaim and landed on many Best Of year ends lists from Rolling Stone to Garden & Gun, quickly launching her already budding career and sending it into hyperdrive. Over the next year, Morrow filmed an episode for PBS’ Bluegrass Underground and toured the US playing festivals such as Pickathon and Bristol Rhythm & Roots to name a few. Morrow recently wrapped recording her first solo, full-length album at the legendary Nashville studio, Sound Emporium. Mixed by Vance Powell (Chris Stapleton, Jack White, Phish) and Jaquire King (Kings of Leon, Tom Waits, Shania Twain) set to release in 2023, Morrow’s new album, People Talk, showcases her flawless vocals and intricate songwriting, but also her willingness to take risks — an edge that makes her stand out from the Nashville norm. Whether she’s singing an alternative/indie rock banger, a classic-country crooner, or a traditional lovesick ballad, there’s a unique impression she leaves that lingers and is unlike anything you’ve heard before.

**Joshua Hedley**

Joshua Hedley is “a singing professor of country & western,” he declares on his raucous and witty new album, Neon Blue. It might sound like a punchline, but it’s not. An ace fiddle player, a sharp guitarist, and a singer with a granite twang, he’s devoted his entire life to the study of this genre. Ask him about it and he’ll explain: “When all my friends went off to college, I went to Nashville. I was 19 years old playing honkytonks and getting an education.” His 2018 debut, Mr. Jukebox, showcased his deep knowledge of country’s history, in particular the beery ballads of the 1950s and ‘60s. His mentors were George Jones, Ray Price, and Glen Campbell, but his most remarkable accomplishment was putting his own spin on their style.

Hedley has been a presence in Nashville for nearly twenty years, although you have to know where to find him. You have to brave the tourists on Broadway, bypass the three-story bars blasting Journey, and make your way to Robert’s Western World, a time-capsule honkytonk from a different era, an oasis in a town where twang is constantly being run down by pedal pubs. That place informed the sound and style of Mr. Jukebox, which introduced him to a wider audience beyond the city limits and established him as one of Nashville’s most knowledgeable and exciting artists.

After making Mr. Jukebox with a loose group of hell-raising friends, Hedley decided to record his follow-up with professional session players—a Nashville tradition. Producers Skylar Wilson (Justin Townes Earle, Lindi Ortega) and Jordan Lehning (Rodney Crowell) corralled an all-star crew featuring some of the city’s best players, who made Hedley step up his game. During the process of co-writing and recording Neon Blue, the singing professor became the student, learning lessons he’ll apply to everything he does next.

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 Lauren Morrow and Joshua Hedley

Lauren Morrow - Hustle

Lauren Morrow - Barbara Jean

Lauren Morrow

Joshua Hedley

**Ryan Horne live at Eddie's Attic!**

Independent singer-songwriter, Ryan Horne, brings his insatiable creative thirst to the table with his latest releases, ‘Mystery’ and ‘Nothing To Lose.’ 9 albums into his 16+ year career, Horne has arrived at a clear musical vision, and it is grand. With the success of each solo album, strong television placements in shows such as FX's Son’s of Anarchy, ABC’s Nashville, The WB's Hart of Dixie, MTV’s 16 & Pregnant, CBS’ The Young & The Restless, songs used in commercials, movies, syncs, and solid writing cuts on various artists records, Ryan has made it clear he will be around for a while as an accomplished and prolific artist/songwriter/performer.

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Ryan Horne

In the fall of 2022, Joel Hoffman (Ari) brought together several talented friends and associates from across the Atlanta area to form a multifaceted collective with a focus on songwriting for sync (TV/FILM) and live performance.

From the first band practice, the group knew they were onto something very special. Songwriting collaboration soon led to over 30 original songs in a variety of genres. Frequent collaboration and the need to record original material led to the assimilation of an impromptu living room studio with an exceptional ambience. The original material is recorded and produced in an inspiring environment in downtown Alpharetta, GA. With a common passion for music, Ari Collective aims to share their music on a global scale. The group has a vision to develop individual artists from within and help them discover and actualize their musical aspirations.

With vocalists Steffi Ledbetter (performer at Cirque Du Soleil) Aaron Gibson (finalist on season 13 of The Voice) and Eyeam (Atlanta based alternative R&B vocalist/performer) Ari Collective enjoys writing and performing a variety of genres including pop, rock, blues and folk. Drummer Khalid (a seasoned professional touring drummer) teams up with Corbin Hoats (multi instrumentalist/ producer) to arrange and record the foundational elements of each song. Joel Hoffman contributes in songwriting and performs on rhythm guitar. Dreek Beatz (accomplished & awarded producer) assists in production and plays keys.

Ari Collective is excited to perform at Eddie's Attic, a favorite venue of the group, on July 1st!

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Ari Collective

**Illegal Smile celebrates the songs of John Prine.**

From the wit of a masterful turn of phrase, to the pull on your heart strings through his lyrics, John Prine was a master of his craft.

Illegal Smile will deliver all your favorite Prine classics - Sam Stone, Angel From Montgomery, Fish and Whistle, The Way The World Goes Round and of course Illegal Smile just to name a few.

Join Illegal Smile for an intimate performance as they explore the magic that is a John Prine song.

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Illegal Smile - The Songs of John Prine

Illegal Smile

**Boxcar Radio live at Eddie's Attic!**

Boxcar Radio is a rising force in Atlanta's soaring Americana scene. Built in the Jason Isbell/Son Volt/Wilco mold, Boxcar Radio is kind of a stealth super group of sorts. Seasoned professionals in the local Atlanta music scene with band members that have been in countless projects, this lineup spun off a Gram Parsons tribute act with a lot of the first original songs written for that project. With three solid EP's including the recently released "Devils Cut" (produced by local legend Jon Daly), Boxcar Radio offers great songs, great players and soaring harmonies.

Boxcar Radio formed in 2014 and has played multiple local venues including Eddie’s Attic, Avondale Towne Cinema, Smith's Olde Bar, Redlight Cafe, and multiple Porch Fest events. They have shared the stage with Shawn Mullins, Chris Young, Tonic, Lisa Loeb, Sara Watkins of Nickel Creek, John Driskell Hopkins of the Zac Brown Band, The Bitterroots, Jackson County Line, Truckstop Confidential, Slim Chance & the Convicts, Mike Killeen, Chris Stalcup & the Grange, David Robert King, The Atlanta Rhythm Section, Blues Traveler, Donna the Buffalo, Rick Derringer, Night Ranger, Wet Willie, Truth & Salvage, and many others.

**About Boxcar Radio**

Lead singer/songwriter Rodney Bond writes songs that combine the traditional stylings of Gram Parsons with a modern homage to bands like Wilco and Son Volt. Rod's songs mix stories of forlorn unrequited love with classic depictions of American life. Bassist Jeff Hall lays down solid lines that serve the song and provides the harmonies that make up Boxcar Radio's signature sound. Guitarist Mark Evers provides the coloring with understated riffs that straddle the line between rock and country.. Drummer Don Olsen keeps the train on the tracks with a variety of styles that complete the band's ever evolving sound.

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Boxcar Radio with special guest Faithless Town

Boxcar Radio - Reflecting

Faithless Town

Boxcar Radio

**Nathan Angelo & Jesse Ruben live at Eddie's Attic!**

**Nathan Angelo**

In the ever-changing landscape of modern pop, Nathan Angelo shines as a refreshing alternative, embracing the classic elements of popular music and celebrating the backbeat of American tradition. Since arriving on the music scene in 2006, Angelo has captivated audiences across the US with his high-spirited live show and relatable songwriting, independently selling over 40,000 albums and garnering more than 15 million streams on Spotify. Recently, Angelo has landed placements on Netflix’s Heartland, CBS’s The Young and the Restless, and UPTV’s A Very Country Christmas Homecoming.

This Summer, Angelo will release his second acoustic album, Acoustic Take Two (July 28), featuring fan favorites from Out of the Blue, A Matter of Time, Pick Me Up, and Carolina. These stirring renditions, accentuated by thoughtful acoustic guitar and cello arrangements, build upon the foundation of his soulful vocals and seasoned piano work. Acoustic Take Two entices listeners with fresh affection for familiar melodies, kindling new love for Angelo’s signature intimate performances.

Acoustic Take Two | Release Date: July 28, 2023

**Jesse Ruben**

Jesse Ruben is a singer/songwriter living in Brooklyn, NY. Best known for his lyrical storytelling and engaging live shows, his songs have been heard on more than a dozen TV shows in the US and abroad including Teen Mom, Switched at Birth, The Bachelor (Germany), and the recent Disney+ series Diary of a Future President. His most recent single "This Is Why I Need You” reached the top 10 in 12 different countries, and has been streamed more than 60 million times across all platforms. He has recorded live sessions for NPR and MTV Asia, and has been featured on CNN and in Esquire Magazine.

Beyond his music career, Ruben is highly active in philanthropic endeavors. He has run the NYC Marathon three times for The Christopher and Dana Reeve Foundation, the largest non-profit devoted to spinal cord injuries, and five times to raise money for Lyme disease research. He is also the founder of The We Can Project, an initiative for young students designed to help them discover their passions and give back to their communities. To date, more than 500,000 young people have participated. To promote the program, he was personally invited by Hoda Kotb to perform live on The Today Show.

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Nathan Angelo & Jesse Ruben

Nathan Angelo - Brighter Day

Jesse Ruben

Nathan Angelo

**Miles Nielsen & The Rusted Hearts live at Eddie's Attic!**

*Vocals, Guitar / Miles Nielsen*

*Guitar, Vocals / Daniel James McMahon*

*Keys, Horns, Vocals / Adam Plamann*

*Bass, Vocals / Dave McClellan*

*Drums / Jeff Werckle*

Rockford, IL-based Miles Nielsen has spent nearly a decade enthralling audiences with music that draws force from the prime years of Western-influenced rock music and classic ‘60s soul. Claiming influences as diverse as Otis Redding’s classic soul and Jellyfish’s cult power pop recordings.

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Miles Nielsen & The Rusted Hearts

Miles Nielsen - Rusted Hearts

Miles Nielsen and The Rusted Hearts

Born and raised in Memphis, Tennessee, Rob Baird began his music career while pursuing a ranch management degree at Texas Christian University. After countless performances in Fort Worth's well-known bar scene, Baird's career quickly picked up steam allowing him to record his debut record "Blue Eyed Angels" which included the career-changing "Fade Away." This effort immediately launched Baird's career when he signed with Carnival Records and began releasing music that gained national attention. Baird has gone on to release five studio albums under his label, Hard Luck Recording Company. Through the power of streaming services and staggeringly consistent releases, Baird has since been able to grow his audience year after year. His releases have been reviewed and featured in Rolling Stone, The Wall Street Journal, and Spin Magazine, while also being featured in over a dozen television shows including and most recently in Season 2 of Yellowstone. He also shared the stage with artists such as Nathaniel Rateliff, Ryan Bingham, and the late Billy Joe Shaver while performing at such national festivals as Austin City Limits Festival.

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Rob Baird

**John Oates live at Eddie's Attic!**

John Oates is one half of the best-selling duo of all time, Hall & Oates, as well as an accomplished solo artist. He is a member of the Rock and Roll Hall of Fame, The American Songwriters Hall of Fame, recipient of the prestigious BMI Icon Award as well as numerous American Music, MTV awards, and multiple Grammy nominations.

Since forming his creative partnership with Daryl Hall in the early 1970s, they have gone on to record 21 albums, which have sold over 80 million units, making them the most successful duo in rock history. They have scored 10 number one records, over 20 Top 40 hits, and have toured the world for decades. Their involvement in the original “Live Aid” concert and the groundbreaking “We Are The World” charity recording have further established them as legendary artists, who have personally and through their music, stood the test of time.

All sales are final.

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John Oates

She's Gone

Daryl Hall & John Oates - She's Gone

**Joshua Radin live at Eddie's Attic!**

Joshua Radin emerged in 2004 as an empathetic, engaging, and often enthralling troubadour. Over the years, he’s tallied north of 1 billion streams, moved 1 million-plus albums worldwide, and scored a gold certification for the single “I’d Rather Be With You.” His music has appeared in over 200 films, television series, and commercials. In addition to multiple showstopping appearances on Ellen (who also enlisted him to perform at her wedding) and Today Show, and performances on The Tonight Show, Jimmy Kimmel LIVE!, and Conan, he contributed “Brand New Day” to a commercial in support of the troops at the request of First Ladies Michelle Obama and Dr. Jill Biden. He’s played to sold out crowds around the globe and shared the stage with the likes of Ed Sheeran, Sara Bareilles, Ingrid Michaelson, Sheryl Crow, Tori Amos and more. Not to mention, he’s a staunch philanthropist who supports Little Kids Rock and North Shore Animal League America (NSALA), among others. Thus far his catalog consists of nine full-length offerings highlighted by fan favorites such as We Were Here, Simple Times, Underwater, Wax Wings, and Here, Right Now.

Following the release of his 2021 acclaimed album The Ghost and The Wall, Joshua left his material existence in the rearview, grabbed a backpack, packed his guitar, picked up a pen and a pad, hit the road in search of new stories to tell. Those stories comprise though the world will tell me so, part 1 \[Nettwerk\], the first of a pair of forthcoming EPs. 

Official Site | Instagram | Facebook | Twitter | YouTube

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Joshua Radin

Joshua Radin - Beautiful Day

**Chip McGuire Band live at Eddie's Attic!**

Born in Cebu City, Philippines, Chip was adopted by the McGuire family and traveled the 8,865 miles to his new “home town” of Adairsville Georgia. Here he met his band mates and together they have created a unique style fusing together elements of bluegrass, country, Americana, rock, and folk known as “NuGrass”.

Chip continues to write new music and blends everyone’s personal style of playing into something that translates into an electrifyingly energetic sound that is truly original and makes for an explosive live show!

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Chip McGuire & The Renegade Saints

Chip McGuire Band - Nashville

Chip McGuire

**John Fullbright live at Eddie's Attic!**

July 22, 2022 - Tulsa, OK - The public at large hasn’t heard much from John Fullbright since his critically lauded album Songs; a chasm of eight years that seemed unthinkable for someone with so much hype—including a GRAMMY nod, an Americana Music Association Emerging Artist nomination and awards from ASCAP and the Oklahoma Music Hall of Fame—surrounding his early career. Why did it take so long?

“It’s been a process of learning how to be in a community of musicians and less focusing on the lone, depressed songwriter…just playing something that has a beat and is really fun,” Fullbright says. On September 30th, Fullbright is set to end the dry spell with the release of his new LP, The Liar, opening up his newfound trust in musical collaboration for the world to hear. “That’s not to say there are no songs on this record where I depart from that because there are, but there's also a band with an opinion. And that part is new to me.”

Today, Fullbright released the first taste of The Liar with the album’s ever-developing second track. “Paranoid Heart” starts out as a plaintive little folk song and explodes into a memorable, Petty-esque rocker bolstered by drummer Paddy Ryan and Jesse Aycock’s just-unhinged-enough slide guitar solo. Crescendoing in a fiery, driving refrain, “Paranoid Heart” is a bellwether of what’s to come from Fullbright’s newly minted, community-driven output.

Fans can hear “Paranoid Heart” now at this link and pre-order or pre-save The Lair ahead of its September 30th release via Blue Dirt Records and Thirty Tigers right here. A full list of Fullbright’s tour dates can be found below or at johnfullbrightmusic.com/tour.

More About The Liar: The Liar was recorded at Steve and Charlene Ripley’s farm-to-studio compound in northeastern Oklahoma. After Steve’s passing, Charlene flirted with the idea of selling the studio property, so Fullbright mobilized quickly to ensure he was able to record there before it changed hands. He threw together a band made up of, as Fullbright calls them, “the usual suspects.” Anyone fleetingly familiar with Oklahoma music will recognize the roster, which includes Jesse Aycock, Aaron Boehler, Paul Wilkes, Stephen Lee, and Paddy Ryan, all of whom are in more bands than seems possible. Along with a few more friends stopping in to lay down takes, they finished the songs and tracked the album with engineer Jason Weinheimer in a whirlwind four days.

“It was such a collaborative thing with some really cool voices,” Fullbright said, expressing surprise at the ease of the process. “It's just like playing music in Tulsa. Everybody kind of does whatever they do, and it works.”

The grab-and-go momentum landed Fullbright in the studio with some old songs (“Unlocked Doors” also appeared on 2009’s Live at the Blue Door), some new, and some unfinished, making his newfound trust in musical collaboration essential to the arrangements and reflected fully on the final album. The Liar, as a result, utilizes emotional and instrumental dynamics in ways Fullbright hasn’t allowed himself to explore fully before. There’s a noticeable slack here, an indulgent instrumental break there, and the general feeling that the tight-lipped John Fullbright who agonized over the writing process and then hesitated to talk about the meanings behind his songs in the past has eased up.

“What rules didn’t I have?” Fullbright says about his former songwriting self. “Even like, how many syllables were in a line, I had arbitrary rules for. So much of that has gone out the door, and I’m so much happier. It’s really just the idea that you don’t have to do this by yourself. It’s so much more fun to collaborate.”

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John Fullbright

John Fullbright - Blameless

**Jack Botts live at Eddie's Attic!**

Jack Botts is currently on Vance Joy’s North American tour ahead of the release of his debut album ‘Sucker For Sunsets’.

His Australian album tour in April will be a culmination of a few tireless years on the road,

where Jack found his audience in pubs, bars and bowlos and organically continued building and growing with strings of back-to-back shows up and down the Australian coastline. Jack will be playing some of his biggest headline shows to date.

Brisbane raised and currently Northern Rivers based, Jack Botts has quickly made the transition from busking the streets to a full-time touring musician, selling outrooms around the country.

His easy-listening style is a breath of fresh air and has won over audiences as a support act for the likes of Tash Sultana, Ocean Alley and Boy & Bear, also while gracing festival stages such as Land of Plenty, Big Pineapple and NYE On The Hill.

Jack’s fervent following has exploded over the pastfour years; his chilled catalogue of surf-folk across the Summer Nights (2018) and Northern Rivers (2019) EPs connecting with fans in over 150 countries to exceed 80 million streams and a monthly Spotify listenership over 388k.

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Jack Botts

Jack Botts - Airport

Jack Botts - Polaroid

**The Pussywillows live at Eddie's Attic!**

Pussywillows: not just a flowering plant.

Carly Gibson and Hannah Zale have joined forces and they are already leaving their mark on the Georgia music scene as Indie/Alternative Rock supergroup, THE PUSSYWILLOWS (TPW) exploring their self-proclaimed “Tarantino feminism” sound. Individually, these women are exceptionally strong performers and songwriters; together, they are positively formidable. The Pussywillows, in short, are: sweet and savory; sultry and fresh; pure.

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