There are some places and moments that tie people together forever, whether it be a place, a song or something you can't quite define through words. The origins of Orions Belte stemmed from one of those mystical moments in time, which spawned a lasting creative connection. The first time all three members Øyvind, Chris and Kim met up to work on ideas they ended up recording their entire first album over a weekend together.

Orions Belte uses the band as a platform to explore different aspects of what an instrumental band can be resulting in everything from separate solo albums, live recordings from digital streams in the Norwegian nature, EP’s containing eccentric covers to studio albums that create soundscapes that pull you in and draw out emotions in ways that only they know how.

Their strong connection inspires them to write music that feels natural and authentic, focusing on strong melodies and grooves resonating with their worldwide fanbase.

Described by Atwood Magazine as "an eclectic fusion of disparate styles and exciting sounds that says what it wants to say through memorable melodies, ambient drones, and a stockpile of wicked guitar riffs."

All Ages (under 18s must be accompanied by an adult)

Rich Mix

Orions Belte

Bean

Gigs

London

Baba Yaga's Hut Presents:

SANAM صنم (Beirut)

\+ Barbican Estate (Tokyo, Japan)

SANAM is a Beirut-based sextet that merges psych/kraut, improv/skronk, electronics, goth, and jazz elements with traditional Egyptian song and modern Arabic poetry in a compelling brew of widescreen hybrid avant-rock. Emerging from Beirut’s fiercely creative independent scene, the group features Sandy Chamoun (vocals), Antonio Hajj (bass), Farah Kaddour (buzuq), Anthony Sahyoun (guitar, synth), Pascal Semerdjian (drums), and Marwan Tohme (guitars).

“Excellent… Psychedelic guitar swirl, Arabic lyrics and pounding drums cohere to create a loud and lively eight tracks, with highlight Harik using singer Sandy Chamoun’s gasping vocalisations as punctuating rhythm.” - THE GUARDIAN

“a sort of blood-thirsty Arkestra from Beirut. Pure skronk, dense strings and chanted vocals sit atop some thunderous desert rock as singer Sandy Chamoun yelps and hollers with ever-increasing intensity.” - LOUD AND QUIET

Barbican Estate is a three-piece band blending experimental and psychedelic rock, noise, and diverse artistic influences into vivid, immersive soundscapes. After forming in Tokyo in 2019 and becoming active in the local scene, they relocated to London in 2022, where they continue to expand their sonic and visual expression through live performances and collaborations.

This is an 18+ event

Baba Yaga's Hut

SANAM صنم (Beirut) + Barbican Estate

Bell

SANAM - Bell

Barbican Estate

Sergio Sayeg (aka Sessa) is fascinated by “the mess” of music, “the crooked translations that music gets when it travels.” A cultural cannibal like the iconic Brazilian Tropicalistas from the late sixties, Sessa unapologetically and seamlessly mashes musical references, from rock to jazz to samba and soul. A Paulista (São Paulo native) by way of New York City, Sessa’s new album, Pequena Vertigem de Amor (Lil’ Vertigo of Love), expands the sonic universe he’s been building since his debut in 2019. “A bit more nocturnal, open ended, crooked funky,” Pequena Vertigem de Amor channels the late seventies slinky sophistication of Brazil’s MPB scene mixed with the psychedelic soul of Sly Stone and Shuggie Otis without straying from his sonic signature of acoustic guitar, Afro-Brazilian percussion and the dialogue between Sessa’s distinctive vocals and familial female chorus.

Born and raised in São Paulo, Sergio started playing music professionally in his teens as guitarist and a songwriter for the moderately successful and internationally distributed Tropicália-inspired band, Garotas Suecas. His family’s relocation to New York City in 2007 made it difficult to continue with the band, but he soon found himself swimming in new and exciting musical waters, including a job working at the infamous Tropicália in Furs record store and stints in bands playing everything from noise rock to soul music.

All ages

Bird On The Wire

Sessa

Grandeza

Sessa - Flor do Real

Stella Rose recently arrived in London for a sold-out solo live performance at The Shacklewell Arms as part of her UK/European tour, which also included a sold-out night in Paris. Her new EP Hollybaby follows the release of her acclaimed 2023 debut album, Eyes of Glass.

The Hollybaby EP was recorded alongside producer Yves Rothman. It invites listeners into deeper realms of Stella Rose’s dark and otherworldly lyrical poetry, emboldened with gritty soundscapes and introspective ruminations. The title track sets the ominous tone from the offset, with brooding guitars and hauntingly delivered vocals. ‘MS.45’ continues in a similar vein with its fiery metaphorical imagery, while ‘Beautiful Twentysomethings’, as Stella Rose describes, offers “a portrait of youth and the nativities of beauty in chaotic places”. ‘Drugstore Romeo’ concludes the EP with a contrast in sound, showcasing Stella Rose’s expansive vocal range with soaring vocal melodies which pair pensively with lyrics surrounding drug addiction on the streets of NYC. The writing process saw Stella Rose intentionally drift from familiarity. Not only did she shift from her native New York to Los Angeles whilst recording, she also adopted a more urgent style of writing. Each day reached 100+ degrees as Hollybaby came together during the hottest week of the summer in LA. Both Stella Rose and her producer Yves fed off that uncomfortable heat in the studio, which contributed heavily towards the EP’s visceral identity.

CLUB.THE.MAMMOTH.

Stella Rose

Baba Yaga's Hut Presents:

Andrew Wasylyk at Rich Mix

Baba Yaga’s Hut are delighted to welcome Scottish musician and producer Andrew Wasylyk to Rich Mix. Navigating jazz, neo-classical, and elements of electronica, for this special performance Andrew will be joined on stage by an ensemble, including strings, brass and woodwind to perform songs from his forthcoming new album. The evening will also include music taken from his four Scottish Album Of The Year award nominated albums. Not to be missed!

★★★★ - Mojo Magazine

★★★★ - The Scotsman”

★★★★ - The Skinny”

★★★★ - The List

Andrew Wasylyk

Andrew Wasylyk - Last Sunbeams of Childhood

Baba Yaga's Hut Presents:

Scanner + Joseph Branciforte & Jozef Dumoulin at Rich Mix

Robin Rimbaud- Scanner is a pioneering British composer and artist celebrated for transforming the hidden frequencies of everyday life into music. Emerging in the early 1990s, Scanner became renowned for his innovative use of intercepted mobile phone conversations and found sounds, weaving them into haunting electronic compositions that explore surveillance, identity, and memory. His prolific output spans albums, sound installations, dance, film, and public art, collaborating with artists from Bryan Ferry to Merce Cunningham, Laurie Anderson and Steve McQueen.

Joseph Branciforte is an electronic experimentalist, composer, Grammy-winning producer, and “mastermind behind the scenes” (Pitchfork)—known for his collaborations with Taylor Deupree, Theo Bleckmann, and Ryuichi Sakamoto. His label Greyfade, based in New York, has become a home for process-based composition and minimal electronic music, recognized for its meticulous sound, design ethos, and exploration of new physical formats.

Jozef Dumoulin is a Belgian keyboardist and composer, widely recognized for pioneering the Fender Rhodes as a 21st-century instrument. Equally active in jazz, contemporary, and electronic music, he has worked with artists including Mark Turner, Ellery Eskelin, and Tony Malaby, and is celebrated for his genre-defying solo and ensemble projects.

Scanner + Joseph Branciforte & Jozef Dumoulin

Insulation Mix (after G.F. Handel's Messiah)

Scanner - River Whispering Run

Scanner

Jozef Dumoulin

Joseph Branciforte

Support will come from Torn Relics and Ekstasis

Margaret Chardiet is an interdisciplinary sound artist born and based in New York City. Raised by underground musicians and artists, Margaret was surrounded by a collective of the city’s impassioned, cultural detritus. Instead of following a path of higher education, she began the experimental project Pharmakon in 2006, at the age of 16. Pharmakon as a project, entity, and process, has evolved and exists in true protean form, developing alongside (or more so within) Margaret’s personal experience and auto-didactic philosophies. Her work as a whole is a forced self-possession, a celebration of ferality and viscereality, which performatively abandons a society that has never accepted anything it couldn’t also exploit. Chardiet uses electronic synthesis as a tool to transfer this self-possession physiologically and intra-spatially into the bodies of their audience. Timbre becomes temper. Ferality, a social contagion or biorhythm. Margaret has also played in numerous punk groups that extend out to a greater international D.I.Y. music community, and has composed score and original music for the films Transfiguration (2017), and Sound of Metal (2019).

Pharmakon + Torn Relics + Ekstasis

Transmission

Pharmakon

Ekstasis

Torn Relics

**CLUB.THE.MAMMOTH. presents:**

**Lorelle Meets the Obsolete + Special Guests**

Lorelle Meets The Obsolete is the sonic partnership of Lorena Quintanilla and Alberto González, a duo originally from Guadalajara, Mexico, now based in Ensenada, Baja California. Since forming in 2011, they have forged a reputation as one of Latin America’s most vital and visionary acts—drifting from heavy psych into post-punk, noise, avant-pop, and electronic minimalism.

Their early albums On Welfare and Corruptible Faces caught the attention of the international psych scene, leading to their signing with UK label Sonic Cathedral in 2013. From there, Lorelle Meets The Obsolete embarked on over a decade of relentless touring across Mexico, the US, UK, and Europe, performing at festivals including LEVITATION, SXSW, Liverpool Psych Fest, NRMAL, and Hipnosis.

Over the years, their sound has morphed dramatically. From the hazy, swirling textures of Chambers and Balance, to the raw experimentalism of De Facto—which landed at #5 on Piccadilly Records’ Albums of the Year—the band has continuously pushed forward. Their sixth album Datura (2023) marked a radical shift: a concise, bass-driven post-punk statement that earned critical acclaim and placed #18 on Rolling Stone’s Best Spanish-Language Albums of the Year.

Lorelle’s collaborators over the years have included Emma Anderson (Lush), Pye Corner Audio, and Dälek, and their music has won admiration from icons like Iggy Pop and Henry Rollins. They’ve recorded live sessions for BBC Radio 6 (Marc Riley) and KEXP, further cementing their cult status.

With lyrics that navigate the turmoil of modern life—cultural colonialism, political tension, sleepless nights, and emotional unrest—Lorelle Meets The Obsolete balance venture with confrontation. Their live shows are intense, incendiary experiences, driven by catharsis, distortion, and defiance.

As they prepare to release their seventh album, the band continues to question, dismantle, and rebuild their own sound.

Lorelle Meets the Obsolete

Lorelle Meets The Obsolete

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