Riff-monsters Crobot conjures up the kind of rock 'n' roll that has grooves so powerful they throw you around the room and hooks high enough to shake the heavens. They take the sweet-sounding nectar of the gods and pour it down your throat until you're wailing along like a banshee.

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The Atomic Bitchwax originated as a side project of lead guitarist Ed Mundell, ex- bassist/vocalist Chris Kosnik, and drummer Keith Ackerman.

This is a 21+ event

No Dice

Crobot and The Atomic Bitchwax with Drab

Low Life

Crobot - Play it Cool

Crobot

The Atomic Bitchwax

Gigs

New Orleans

Béton Armé is a montreal oi! band inspired by french punk/oi! bands from the 80's.

Beton Armé with Dark Thoughts, Nonbinary Assault Weapon, & The King's Cannons

Hypocrite

Béton Armé

Dark Thoughts

Graveripper and Sadistic Force with Blood & Earl

Graveripper

Sadistic Force

Pleasure Savior Presents: HIGH TOP FADE - A Tribute to New Jack Swing

With P.U.D.G.E, ET DEAUX

FREE BEFORE 11pm, $10 after

Pleasure Savior Presents: HIGH TOP FADE - A Tribute to New Jack Swing

As the leaves begin to fall, the evening times grow longer. Where elements of mystery, light and buoyant textures are arranged and blended together. An evening of subtle, brainy and downtempo sounds will have you Submerged.

SUBMERGED Ft. BAD BEHAVIOR , LEISURE MUFFIN (LIVE / HYBRID),  TRISTAN DUFRENE

Royal & Toulouse with Tony Testa 

Rushad Eggleston was born a snethy and robust child in a redwood cabin, in a redwood canyon, in Big Sur, CA (a very mystical zone). He began playing stringed instruments at the age of three and has basically done so, all the time, for all of his life, ever since. Rushad is now a cello playing adult goblin man (still snethy and robust), who facilitates global bejickment and glee. He is currently undergoing rigourous wizard training (his uncle is a wizard).

Rushadicus

THE PAUSE with FLIP FITCH and FEN MAGUS 

One listen to The Unlikely Candidates, and it’s clear that the Fort Worth, TX alternative rock mavericks create their own scene. One song vaults from stadium anthem into a piano ballad, while the next twists from syncopated singalong into a contemporary grunge-influenced pop song. Hailing from Texas, the boys immediately separated themselves since uniting in high school. Breaking from the typical musical traditions associated with the Lone Star State, they turned up with an alternative style of their own. They challenged the status quo and carved out their own niche in Fort Worth. No matter where they are, they’ve clung to a sound that’s simply The Unlikely Candidates. The band has logged countless miles on the road alongside everyone from Cage The Elephant, Sublime with Rome, The Offspring, Young The Giant, The Dirty Heads, Fall Out Boy, and Brick + Mortar. As they’ve grown as a band, the boys have earned acclaim from the likes of The New York Times, AXS, Esquire, Nylon, Alternative Press, Baeble, and more. Additionally, the band’s music has been featured on Hulu’s Veronica Mars, Showtime’s Ray Donovan, ABC's American Idol, FOX's The Four, NFL's Super Bowl 2018 playoffs, and ESPN's 2018 Indy 500. The truth is, with steeple-vaulting vocal acrobatics and fiery falsetto’s, combined with heavy-hitting synth melodies, undeniably catchy lyrics, and feel good beats, The Unlikely Candidates’ sound is still too big and bold for any scene.

The Unlikely Candidates with Conor Donohue and Dreux Gerard

Novocaine

The Unlikely Candidates - Oh My Dear Lord

The Unlikely Candidates

Conor Donohue

Pallbearer’s Foundations of Burden (2025 Redux) is a meticulous sonic reconstruction of their transformative, landmark 2014 album. The newly remixed and remastered version arrives digitally on Nov. 7, with physical editions (2xLP and CD) available on Dec. 5.

“During the writing and preparation for Foundations, everything was ephemeral and we were practically feral,” recalls bassist/vocalist Joseph D. Rowland. “We had no real practice space, we barely had a single working computer between the four of us. Our demos of the record consisted of something barely discernible from white noise. Nevertheless, we knew we were working towards building a set of songs we were deeply enthusiastic about.

Once in the thick of recording, the feeling went from dream to dreamlike very quickly, as we found ourselves in what felt like an endless churn of repetition. We slept at the studio on whatever soft surfaces we could find, waking each day to discover that some of the previous day’s work had been corrupted overnight. This resulted in some parts of the album being recorded many times over. The guitars in particular mutated into something Sisyphean.”

More than a decade later, Pallbearer seized the opportunity to revisit the record from the ground up. Over the past year, the band meticulously reconstructed the album from the original sessions.

PALLBEARER with KNOLL and FAUNS 

Love You to Death

Pallbearer

Knoll

Fauns

FROG MALLET with THUS SPOKE ZARATHUSTRA and SWAMPGRAVE

Frog Mallet

Thus Spoke Zarathustra

Swampgrave

Mary Mortem carves a valley of her own into the world of extreme music. Finding despair and weight in melody and atmosphere, she is an ever-evolving portrait of pain. In this current incarnation she brings the intimate urgency of her previous electronic work to new form, extending an invitation to embrace her gospel of echoing distortion and doom.

Mary Mortem with Slowhole and Missing 

Slowhole

Missing

Three years after their crushing debut Defiled in Oblivion, CASTRATOR returns

with Coronation of the Grotesque, an album that not only exceeds all expectations but

leaves them shattered in its wake, firmly cementing the band among the North American

death metal elite.

Touring with the likes of Immolation, Exhumed, and Cattle Decapitation has cemented

CASTRATOR’s reputation as a commanding live force, and concert announcements in

support of Coronation of the Grotesque are imminent.

Castrator with Desolus, High Black River, and Reptilian War Machine

Dawa of Yousafzai

Castrator

Desolus

High Black River

Over the last fourteen years and dozens of albums and singles, cosmic LA rockers Triptides have traversed a kaleidoscopic musical landscape of psychedelic rock, Laurel Canyon folk, and spaced out jazz pop — but each track can be traced back to the group’s leader, Glenn Brigman’s unique ability to craft and explore a seemingly infinite number of dimensional melodies and harmonies. With every line of Brigman’s airy vocals that dance across the tape and into the speakers, stoners, trippers and lovers alike are transported to a sweet and familiar place, lifted by chiming guitars, hypnotic drums, glittering pianos and hallucinogenic fuzz.

Each Triptides recording is a personal reflection, an unexpected evolution and honest testament to The Song. And the next one will be no different. Catch Triptides live, and you’ll see a band that shifts shapes and moods like lightning in a bottle, fluidly and fluently turning up and turning out — always taking the audience on a trip.

Either way, you’ll want to find them out there.

Now hear this:

Triptides has just linked up with Label 51 Recordings for new releases in 2025 and onward, and another chapter is being written for the California rock and rollers.

Triptides

Wake

Triptides - Not Mine

Matte Blvck, a trio formed by Alex Gonzales, Daniel Corrales, and Bidi Cobra, is known for their unique blend of Darkwave and Industrial music. They recently released their highly anticipated second album, "Vows." The album's standout single, "BTTR," is a collaboration with the legendary Clan of Xymox, one of the pioneering bands in the Darkwave and Post Punk genre. This remarkable partnership brings together elements of dark euphoria, evocative nostalgia, and immersive soundscapes, creating an intense and mesmerizing auditory experience.

The hauntingly beautiful duet between Ronny Moorings and Alex Gonzales introduces a dreamlike, serene quality that contrasts with the driving force of the EBM bass lines, pulsating mechanical drumbeats, and intricate cinematic arrangements. "BTTR" not only pays homage to the classic Darkwave sound but also infuses it with a modern twist, perfectly capturing the essence of the genre's evolution over the past thirty years.

The infectious chorus hook “Make Me Better” draws its inspiration and is rooted in Dependent Personality Disorder. The lyrics delve into the experience of individuals who possess an overwhelming need to be taken care of and depend on others for their fulfillment and happiness. The line "Talk to me, as all I want is to feel" poignantly reflects the struggle of those who may inadvertently drain the vitality of others in their pursuit of contentment, leading to a cycle of perpetual yearning for the happiness that eludes them.

Ronny Moorings, the lead vocalist, songwriter, and the longest-standing member of Clan of Xymox, has been an integral part of the band's journey. Initially releasing their albums through 4AD and later with Polygram, the band has now found a home with Metropolis Records. Over the years, Clan of Xymox has experienced periods of both mainstream success and obscurity, and now, the resurgence of darkwave music has taken the world by storm. Although Ronny has never officially embraced the darkwave label, there are rumors that the renowned John Peel, of Radio 1 fame, coined the term during their "Peel Sessions" in the early 1980s.

Clan of Xymox made an early impact in the post-punk scene with tracks like "A Day" and later with "Medusa." After adopting the name "Xymox," they achieved commercial success with songs such as "Imagination" and "Obsession" in the United States, in addition to other tracks with a more new wave sound. Xymox began to earn recognition on various musical fronts.

The genesis of the song "BTTR" can be traced back to 2019 when it was initially considered for inclusion in Matte Blvck's album "I'm Waving, Not Drowning." However, it underwent extensive reworking and was deemed not yet ready for release. The initial production of the song took place at Matte Blvck's studio in San Diego. Later, it underwent re-recording with live instruments at Secret Hand Studios in Los Angeles, which is owned by Jeff Friedl, a renowned drummer associated with Devo, A Perfect Circle, and Puscifer. The song was engineered by Matt McJunkins, known for his work with A Perfect Circle, Puscifer, and Poppy. The mixing process was handled by Aaron Short, a Grammy-nominated mixing engineer with credits including Broods, Benee, So Below, Madison Beer, and Israel Medina, a long-term collaborator of Matte Blvck.

Matte Blvck expressed, "We believed that this song needed to encapsulate the essence of our live performances. 'BTTR' has been our closing piece at concerts since our inception, always eliciting an enthusiastic response from the audience. We entrusted the production to Matt McJunkins, someone who truly understands live performance, and Aaron Short, who has the expertise to further develop our sound.”

Matte Blvck's second album, "Vows," showcases the band's evolving musical direction and sets the stage for their future endeavors. The album boasts intricate production and a wealth of melodic content, resulting in a captivating blend of complexity and danceability. It is evident that the band is driven to expand their sonic boundaries while remaining true to their original sound. With nine tracks, "Vows" delves into a diverse array of dark electronic music genres, including breakbeats, industrial, darkwave, cinematic dark pop, alternative, electro, synth wave, and techno. This multifaceted album is now accessible across all digital and physical platforms, offering listeners a rich and immersive musical experience.

MATTE BLVCK with So Much Blood

Matte Blvck - Soulless

MATTE BLVCK

Prison Affair is a musical project born in Barcelona around 2018.

Lo-fi sound based on synthesized guitar riffs, forceful bass line and denatured vocals. All this supported by a tight rhythm box. In power-trio format for live shows, Adri (Brux, Psycho Tendencies) joins the drums.

Prison Affair features ‘mutant Chuck Berry licks, a direct-to-board guitar sound, fast closed hi-hat drumming, and the over-the-top warble you’d want from 8-bit punk.’

For fans of Gee Tee, Coneheads, CCTV, Liquids.

Prison Affair

Prison Affair - Algo Huele Mal

Prison Affair - Algo huele mal

South Carolina–born Winyah channels raw restlessness into pure release, fusing Southern grit with indie-rock shine in a sound that feels both nostalgic and new. With over 13 million streams thus far on their debut album Lot To Learn, the band has already made a national imprint—bolstered by standout performances at major festivals like Bonnaroo and Lollapalooza. Think flipturn meets The Backseat Lovers: magnetic, addictive, and unmistakably electric.

Winyah 

Redd Kross have always existed slightly to the left of everything and perfectly in the center of themselves. Formed in 1979 by Hawthorne brothers Jeff and Steven McDonald (ages 15 and 11 at the time) the band sprang to life in the same Southern California orbit that produced Black Flag, with whom they played their earliest shows. But even then, Redd Kross were unmistakably their own thing. Where their peers carved out strict definitions of punk, the McDonalds treated the genre as an open invitation: a passport to mix bubblegum with noise, Kiss with the Velvet Underground, the Partridge Family with the Germs, sometimes in the same song and always without apology.

Through the ’80s and ’90s, Redd Kross built a reputation as one of the great unsummarizable American bands: Too tuneful for the hardcore kids, too scrappy for the pop purists, and too weird for anyone looking for an easy tag. Sonic Youth brought them along repeatedly, seeing a kindred experimental streak beneath all that California color. Meanwhile, the early Seattle scene quietly absorbed their approach to melody and irreverence; more than a few future icons have cited Redd Kross as a formative influence, even if the McDonalds insist they were just doing what came naturally.

Last year, the band enjoyed what many called “the year of Redd Kross,” marked by a critically acclaimed self-titled double album, a documentary (Born Innocent), and a memoir (Now You’re One of Us). All three were met with universal praise, and longtime fans weren’t surprised; Redd Kross have been punching above their weight and outside their lane for more than four decades. Touring in support of this cluster of projects found the band at full power, whether headlining across the U.S. and Europe or joining the Melvins (where Steven and Dale Crover pull double duty). The response from audiences old and new echoed something critics have hinted at for years: Redd Kross remain a band entirely at ease with who they are, confident in their contradictions, and unafraid to let their joy, curiosity, and ambition guide them on stage and in the studio, proving that authenticity, self-discovery (and acceptance!) can be thrilling, even after decades.

As they move toward their tenth album (recording slated for 2026), Redd Kross remain a singular presence in American music. Few groups have survived this long, and fewer still have done it without losing their way in some form or another. Redd Kross is a band built on instinct, contradiction, and an unshakeable belief that good ideas come from anywhere. After 45 years plus, their energy is coiled like a tightly wound rubber band, ready to propel a child's whirlybird into flight. Let’s all watch them soar.

REDD KROSS

Redd Kross

Arts Fishing Club is more than just a band; they are storytellers, explorers of the human condition, and purveyors of living life boldly. An ethos demonstrated by frontman Christopher Kessenich’s first 4.5 month tour in which he walked 1600 miles along the east coast from Maine to Atlanta to Nashville, played 60 shows, and slept at strangers’ homes.

The boldness that compelled such an adventure is felt in AFC’s electrifying live shows where the band weaves the raw energy of rock and the introspective lyrical honesty of folk to create a sound that is timeless and refreshingly original.

In 2023, AFC released their debut album Rothko Sky and completed a national headline tour. Whether performing in sold out small clubs or on festival stages (Bonnaroo, Mile of Music), their engaging stage presence and ability to connect with fans makes their live performances a cornerstone of their success.

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