Eat Your Own Ears

Ben Watt & Tracey Thorn at MOTH Club

Eat Your Own Ears presents Falle Nioke at The Lexington.

Heavily championed by BBC 6 Music, the Guinea-born, now Margate-based, singer and multi instrumentalist FALLE NIOKE has captivated audiences across the world with his addictive brand of mercurial afro-pop.

After years spent perfecting his blended sound, which mixes West African rhythms with experimental electronic music - plus notable collaborations with the likes of Barry Can't Swim and Hot Chip's Joe Goddard - Nioke is set to release his astounding debut album 'Love From The Sea' on 26th September via Eat Your Own Ears Recordings.

Inspired by artists including; Oumou Sangaré, Bob Marley, and Sory Kandia Kouyaté, FALLE NIOKE sings in multiple languages, including French, English, Fulani, Coniagui, and Susu, accompanying his voice with a range of traditional instruments such as the gongoma, bolon, and cassi.

This is an 18+ event

The Lexington is an early Victorian building and as such is not easily accessible for anyone with limited mobility. While the main bar is on the ground floor and accessible without steps the music venue is up a flight of stairs. We’re happy to help with access where possible; for any further information please contact us: info@thelexington.co.uk.

Venue Accessibility Information

Falle Nioke

Falle Nioke - Falle Le Le Le

Falle Nioke - Leywole

Gigs

London

The Lexington

Eat Your Own Ears presents Baxter Dury at Eventim Apollo.

How does the tale of Baxter Dury’s greatest album to date, his masterpiece, begin? Serendipitously...

 It was Sunday June 28, 2024, and Baxter had just stepped from a rapturously received set on The Park Stage at Glastonbury Festival. After towelling himself down, a familiar figure approached him backstage.

It was Paul Epworth, the lauded producer/songwriter whose creations have draped themselves across the airwaves of the 21st Century. You’ll know his work from huge global hits with Florence + The Machine, Glass Animals, Paul McCartney, U2 and Adele amongst many others, but you won’t have heard very much from him since his own solo album, Voyager, in 2020. Because what does the producer with the Midas touch do when he’s already turned so much to gold? He waits for a passion project to emerge, something or someone about which he can be truly, deeply enthused. Baxter Dury’s Glastonbury performance had flicked that very switch within him.

Together they dreamt up Allbarone’s nine-track tour-de-force, stripping everything away and building Baxter’s most melodically direct, futuristic collection.

Support from Joshua Idehen.

This is an 3+ event (14’s and under to be accompanied by an adult)

Baxter Dury

I'm Not Your Dog

Joshua Idehen

Eventim Apollo

Raised in Calabar, Nigeria, before moving to London as a teen, Obongjayar’s sound is a singular blend of the worlds he moves through. Working with everyone from Jeshi to Little Simz to Pa Salieu, OB is famed for his distinct fusion of global pop melodies grounded with West African inflections, alongside his mesmerizing live performances and his innate punk sensibilities. It won him an Ivor Novello for his singular pen and earned him a Top 5 single with over 225 million streams for his feature on Fred Again...’s “adore u,” which heavily samples OB's original "I Wish It Was Me".

With fans in the likes of i-D, Dazed, Crack, The Guardian and NPR already for his critically acclaimed debut Some Nights I Dream Of Doors, OB’s highly anticipated follow up Paradise Now sees him primed and ready to live (and thrive) in the moment. Grappling with everything from self- acceptance and transcendence to grief and loneliness, FOMO, procrastinations and nights you never want to end, it’s an adventure through the subconscious of one of the UK’s most thrilling modern voices. Produced between London and LA with Kwes Darko (Pa Salieu, John Glacier), Yeti Beats (Doja Cat) and Beach Noise (Kendrick Lamar, Baby Keem, Bakar), it’s a Trojan horse of some of his most intimate storytelling yet, candy-coated in electro-pop synths, soaring strings and ever contagious percussion.

Standing 14+, Balcony 8+ U14s accompanied

Obongjayar

Obongjayar - Message in a Hammer

O2 Forum Kentish Town

Eat Your Own Ears presents Ruthven at Oslo Hackney.

​Named "One To Watch" by The Guardian, Ruthven aka Sean Nelson has always had a certain fervour associated with him. The South London musician first broke onto the scene in 2017 as one of the first signees to Paul Institute, the label created by enigmatic brothers A.K and Jai Paul. Now, with his debut album Rough & Ready, Ruthven further enters the rarified air of these artists.

This is a 16+ event (under 18’s accompanied). 

Ruthven

Oslo Hackney

Eat Your Own Ears presents Sudan Archives at Roundhouse.

This is an all-ages event (Under 16s accompanied by an adult, Under 14s accompanied and in seats).

**IMPORTANT: Read here about your Roundhouse tickets**

Please note you will need to access your tickets via the Roundhouse Online Wallet at - http://wallet.roundhouse.org.uk

Your tickets WILL NOT be available in the DICE app. Just follow the below steps below on the day of event to access your ticket to the show:

Head to http://wallet.roundhouse.org.uk

Sign in using your DICE account email address - if you already had a Roundhouse account under the same email address, enter the password associated with this email address. If you didn’t have one, Roundhouse will have created one for you and you’ll just need to reset the password before logging in.

If you need to reset your password, you’ll be taken to http://roundhouse.org.uk, but you need to log in again at http://wallet.roundhouse.org.uk to access your ticket.

The QR code should appear a couple of hours before the stated time on your ticket

If you want to transfer your tickets to a friend please do so at least 4 hours before the event within the Roundhouse ticket wallet.

If you cannot access your tickets in the Roundhouse online wallet please visit the venue box office when you arrive and one of the team will be happy to assist you.

Full information regarding the Roundhouse online wallet can be found at - https://www.roundhouse.org.uk/faqs/digital-tickets/

Where are my tickets?

On arrival you will be greeted by our ticket scanners and our security teams. Our security checks include bag searches and a search of individuals using wands. Please be prepared upon arrival to go through this process and help speed up the entry. Our security teams are there for your safety but we recognise that this process can be daunting for some. Please do raise any concerns with staff members when you arrive so that we can support you where needed.

Security

We reserve the right to prohibit specific items from the Roundhouse Premises. A full list of prohibited items can be found in our Admissions Terms & Conditions: https://www.roundhouse.org.uk/terms-policies/admissions-terms/

Unfortunately flags and banners are not permitted into the venue as they can obstruct the view for other people in the audience. Please note this list is not exhaustive. The Venue Management has the right to prohibit any other items that are not included in this list but are deemed to cause a risk to the building or people.

Prohibited Items

Accessibility tickets must be booked directly with the venue, not through DICE. Please get in touch with the venue via access@roundhouse.org.uk prior to purchasing.

Accessibility Tickets

Sudan Archives

Come Meh Way

Sudan Archives - Limitless

Roundhouse

Eat Your Own Ears presents SOHN at St Matthias Church.

To celebrate the release of his ambient, instrumental album Albadas, SOHN will be performing an intimate electronic solo set.

Age restriction 18+

SOHN

SOHN - Oblivion

St Matthias Church

Eat Your Own Ears and SJM present Disgusting Sisters at Next Door Records Two.

Disgusting Sisters are a chaotic electronic pop rock duo of real-life sisters Jules & Josie - raised between the UK and France, bonded by emo music, dyed hair, campsite summers, and a shared obsession with horror movies & cult TV. Julianna drums in London. Josephine makes films in Paris. On Christmas 2024, mid-Twin Peaks binge and wine-fuelled nostalgia, they wrote a song about their mum’s dog - and accidentally started a band.

Now, they’re making loud, weird & emotionally charged bangers inspired by their teenage playlists, sibling chaos, and their favourite dysfunctional billionaires (yes, the name comes from Succession).

Welcome to the world of DISGUSTING SISTERS: part pop, part punk, fully unhinged.

Disgusting Sisters

Disgusting Sisters - TGIF

Next Door Records Two

Adrian Crowley released his 10th album 'Measure of Joy' on 7th Feb via Valley Of Eyes Records. Produced by John Parish, the album is full of delicate and beautiful songs, and features backing vocals from Nadine Khouri.

After his June headline at SJQ sold out, we are pleased to announce Adrian Crowley will headline The Waiting Room on 3 December.

Age restriction 18+

Adrian Crowley

Adrian Crowley - Measure Of Joy

The Waiting Room

Eat Your Own Ears presents Still Blank at The Social.

Still Blank’s sound—a unique blend of shoegaze haze, folk intimacy, and emotionally raw ambient alt-rock grit—was born from unlikely roots. Jordy grew up immersed in the natural rhythms of island life in Hawaii, gigging at weddings and fundraisers by her early teens while drawing inspiration from Hawaiian traditions and the deep solitude of Kaua’i. Ben, raised on Manchester’s rich musical legacy and early pub gigs with his dad’s band, developed a taste for ambient textures, citing The Durutti Column and Vini Reilly as formative influences. Their unlikely meeting in the UK sparked a lightning-in-a-bottle creative partnership. What started as casual jam sessions in a Liverpool basement quickly evolved, with sessions ranging from stripped-back recordings on a broken classical guitar to studio lock-ins fueled by long walks through rural Wales and a shared commitment to imperfection.

With lyrics steeped in people-watching, dreams, nature, and existential observation, Still Blank’s songwriting draws from both introspection and their surroundings, echoing the mood of artists like Yo La Tengo, Big Thief, Cat Power, and PJ Harvey. With a growing cult curiosity within the scene, Still Blank’s sound resists categorization — they are setting their own rules and embracing ambiguity. Stay tuned for more coming soon.

Still Blank

The Social

Eat Your Own Ears and SJM present Disgusting Sisters at Next Door Records Two.

Disgusting Sisters are a chaotic electronic pop rock duo of real-life sisters Jules & Josie - raised between the UK and France, bonded by emo music, dyed hair, campsite summers, and a shared obsession with horror movies & cult TV. Julianna drums in London. Josephine makes films in Paris. On Christmas 2024, mid-Twin Peaks binge and wine-fuelled nostalgia, they wrote a song about their mum’s dog - and accidentally started a band.

Now, they’re making loud, weird & emotionally charged bangers inspired by their teenage playlists, sibling chaos, and their favourite dysfunctional billionaires (yes, the name comes from Succession).

Welcome to the world of DISGUSTING SISTERS: part pop, part punk, fully unhinged.

Plus support from Gossip Queens and a DJ set from Klaxons

Gossip Queens

Eat Your Own Ears presents Thylacine at KOKO.

Sometimes, you have to uproot yourself to truly align with who you are, and with the world around you.

It’s this guiding principle, one that has served him so well so far, that Thylacine has chosen to follow once again in his creative journey. The artist we’ve traveled with aboard the Trans-Siberian Railway, along the roads of the Andes and the Faroe Islands, and through Turkey where he learned to play the bağlama, has once again stepped away from the familiar patterns of his Paris studio to create Roads Vol. 3.

True to his now-iconic mode of travel, a blazing 1972 Airstream caravan converted into a mobile studio, William Rezé, aka Thylacine, gave himself the most precious resource of all: time. Time that’s so often missing when caught in the grind of touring and routine. Time that allows travel to become a real experience, where intuition can evolve into something bolder, deeper, more original.

This album emerges as a mirror to that astonishing journey, a true creative vertigo born of deep reflection on his craft and how it relates to the shifting balance of the world around him. A new musical odyssey that further defines Thylacine as a profoundly singular artist in today’s landscape.

Age restriction 14+ (under 16s to be accompanied by an adult)

This is an 14+ event (under 16s to be accompanied by an adult)

Thylacine

Anatolia

Thylacine - Mountains

KOKO

**Eat Your Own Ears presents**

**BEN WATT AND TRACEY THORN**

Ben Watt and Tracey Thorn, best known together as Everything But The Girl, return to the MOTH Club to play 6 more intimate seated shows; three in December, three in January. They will perform as a part-acoustic part-electronic duo accompanied by Rex Horan (double bass) and Family Stereo’s Blake Watt (guitar, vocals), drawing on songs from their 40-year careers as both solo artists and a best-selling duo

The evening will consist of two sets and an interval. Ben and Tracey will be on stage at 8pm. There is no support. The venue will be mostly seated with some additional standing. Seats allocated on first come first served basis. Doors 7pm.

This is an 18+ event.

ID to match ticket purchase required on entry

No filming

No photos

Tickets are Non-transferable

If you are unable to attend please return your tickets to the DICE Waiting List

Ticket Terms and Conditions

LNZRT

MOTH

Ben Watt and Tracey Thorn

Everything But the Girl - Mirrorball

MOTH Club

Ticket Terms and Conditions

ID to match ticket purchase required on entry

No filming

No photos

Tickets are Non-transferable

**Eat Your Own Ears presents**

**BEN WATT AND TRACEY THORN**

Ben Watt and Tracey Thorn, best known together as Everything But The Girl, return to the MOTH Club to play 6 more intimate seated shows; three in December, three in January. . They will perform as a part-acoustic part-electronic duo accompanied by Rex Horan (double bass) and Family Stereo’s Blake Watt (guitar, vocals), drawing on songs from their 40-year careers as both solo artists and a best-selling duo

The evening will consist of two sets and an interval. Ben and Tracey will be on stage at 8pm. There is no support. The venue will be mostly seated with some additional standing. Seats allocated on first come first served basis. Doors 7pm.

ID to match ticket purchase required on entry

No filming

No photos

Tickets are Non-transferable

Stealing Sheep celebrate the release of their new album G.L.O with a live show at Colours.

Stealing Sheep

Shut Eye

Stealing Sheep - Jokin’ Me

Colours Hoxton

Eat Your Own Ears presents Tei Shi at The Lexington.

Tei Shi (pronounced “tay-shee”) is the moniker of singer-songwriter & producer Valerie Teicher Barbosa.

Growing up between Bogotá, Colombia, & Vancouver, Canada, Tei Shi is heavily influenced by her ever-changing environment & cross-cultural identity.

Since her first two EPs, ‘Saudade’ (2013) & ‘Verde’ (2015), “introduced her to the world as a skilled & fluid vocalist... Her groundbreaking song ‘Bassically’ garnered over 21 million streams on Spotify alone & set the scene for her critically acclaimed debut album ‘Crawl Space’ (2017) - leading her to embark on world tours & make headway in the art & fashion world.

She wrote & was featured on Blood Orange's 'Hope' off his album 'Negro Swan' & starred in its music video alongside Tyler the Creator & A$AP Rocky, also performing the song onstage at 2019’s Coachella Music Festival. In November of 2019, Tei Shi released ‘La Linda,’ her much- anticipated second full-length album. On this album, Tei Shi further embraces her Latin roots & multicultural identity, seamlessly shifting between the languages & musical genres that make her such a unique songwriter & noteworthy artist.

Tei Shi went on to release her 2020 pandemic-made EP 'Die 4 Ur Love', followed by her third full length album 'Valerie' in 2024. 2025 holds her fourth album, ‘Make believe I make believe’, with its initial singles 'Best Be Leaving' and ‘Drop Dead’ released this Spring.

Tei Shi

Tei Shi - Go Slow

Eat Your Own Ears presents PVA at Heaven.

PVA formed in 2017 when a trio of friends began making what they dubbed “country-fried techno”.

With their highly anticipated second album – No More Like This – out 23rd January, the band enter an ambitious new era. Where their debut Blush was marked by frenetic electro-chaos, the follow-up is intimate, experimental, sensory and emotionally charged. It’s PVA at their most uncompromising – turning raw sensation into sonic alchemy.

Age limit

18+

Bad Dad

Heaven

Balancing jazz, folk and pop melodies in a display of unique virtuosity, Bird celebrates the 20th anniversary of The Mysterious Production of Eggs alongside a full orchestra conducted by Jacomo Bairos.

The GRAMMY-nominated violinist, songwriter, and multi-instrumentalist returns to Barbican for the first time since 2019 for a complete album performance with lush orchestral textures provided by Britten Sinfonia, closing with a set of fan favorites from his expansive, nearly 30-year catalog.

Since 1997, Bird has released 18 albums and performed around the world, headlining legendary venues like Carnegie Hall, the Sydney Opera House, Walt Disney Concert Hall, and Red Rocks Amphitheatre.

Renowned for his wide-ranging artistry, from TED Talks to scoring film and television, Andrew Bird’s creative reach extends beyond the stage. In 2025, he celebrates the 20th anniversary of his acclaimed album The Mysterious Production of Eggs with a limited run of concerts, performing the record in its entirety for the first time alongside a full orchestra.

This is a 14+ event

Andrew Bird and Britten Sinfonia

Andrew Bird - Pulaski at Night

Andrew Bird

Britten Sinfonia

Barbican Hall

Eat Your Own Ears presents Micah P. Hinson at Oslo.

In early 2020, Micah P. Hinson almost walked away from his music career. The esoteric Americana / folk singer-songwriter – who divides his time between Texas and Spain – had released ten critically acclaimed albums and built up a loyal fanbase (particularly in Europe), yet he felt trapped and deeply depressed.

Born in Memphis but raised in Texas, Hinson didn’t initially understand his uniqueness. For one thing, he is of Chickasaw descent, a Native American tribe known for being particularly fierce warriors. For another, his family belonged to The Church of Christ, which is, as he explains it, “one of the newest and the strictest and the most bizarre sects of Christianity.”

While Hinson has earned much acclaim by creating songs about his past – and no doubt I Lie to You will continue this tradition – it will be fascinating to see what he creates now that he can move on, free from all the things that had been weighing him down for years.

Already, he feels revitalized in every way: “It’s not only my songwriting that changed, but my family life, my views on religion, and my views on politics,” he says. “It's really strange that I decided to make these changes in my life, and then so many amazing, beautiful things came to me. I'll be forever grateful for whatever happened to bring me to this new place.”

Support from Alessandro "Asso" Stefana.

Age restriction 16+ (under 18s accompanied by an adult)

Micah P. Hinson

Alessandro Asso Stefana

Eat Your Own Ears presents Tsar B at The Lexington.

Belgian artist, composer and multi-instrumentalist Tsar B (Justine Bourgeus) rearranges the DNA of pop, classical-baroque, and club beats into a rush of life at a breakneck velocity, teeming with astonishment, devotion and curiosity. Throughout her career, Bourgeus has bridged her work into visual mediums such as film, dance and fashion.

“A unique blend of self-described “dark-as-the-night R&B,” anchored on pitched-down and glitchy electronics” - Billboard

Tsar B

Tsar B - Amor

EDEN, born Jonathon Ng in Dublin, Ireland, is an artist who defies traditional genre boundaries, blending electronic, indie, and alternative elements into a deeply personal soundscape. Emerging from the digital underground in the mid-2010s, EDEN first gained traction through self-released EPs End Credits (2015) and i think you think too much of me(2016), which collectively reached almost one billion streams worldwide and started to garner mass popularity for him in the scene.

His music, characterized by atmospheric textures, glitchy beats, and layered vocals, often explores themes of identity, mental health, and the complexities of modern life like in his debut album, vertigo (2018), which was lauded for its raw, introspective lyrics and innovative production.

As he continues to evolve, EDEN remains a unique force in contemporary music, challenging listeners to engage with his art on a deeper, more emotional level moving into his latest project Dark (2025) set to release this coming summer. The project displays a newly found optimism with the idea that some things that feel so intense are out of your hands, and the only way to live with it is to take the weight off your shoulders and find the beauty around you. A long awaited finale unfolding, Dark holds an early 2020’s border-less inspiration, effervescently smashing and cutting into itself leaving behind only a moment’s memory.

Standing 14+, Balcony 8+ U14s accompanied

Under 25’s require ID to purchase alcohol

Security – Bag Policy

Large bags – including rucksacks are not allowed.

There are no facilities to leave large bags or luggage.

If you really have to bring a bag – and it’s preferable you don’t – please make sure it’s small.

Only one small bag per person is permitted and it must not be bigger than A4 size.

Height: 28.7cm

Width: 21cm

Depth 15cm

What's the bag policy?

EDEN

EDEN - Ghost in the Shell

Berlin's Mary Ocher returns to the UK for selected shows following dates in North America, most of Europe, Australia and New Zealand.

Ocher has been pushing the boundaries between pop and avant-garde for the past two decades, with playful and colorful form, and clever content that winks at everyone who recognizes its cultural and historical references. Her criticallhy acclaimed new album, 'Your Guide To Revolution' joins a series of apocalyptic and politically charged concept albums.

It is a joyful ode to hope, released just six months after its predecessor, the edgy and experimental Approaching Singularity: Music for The End of Time. It was picked by The Quietus as "Album of The Week" and it joins Bandcamp's favorite Records of The Year. It also received the German Record Critics Prize.

The new recordings cover a vast musical landscape from post-punk, folk and field recordings, to cosmic synth compositions and deconstructed techno.

Mary Ocher 

Eat Your Own Ears presents Kate Nash at Roundhouse.

Kate Nash makes a triumphant return to the stage with her most ambitious live show yet at Roundhouse. Fresh from her Mighty Hoopla set, this special one-off performance showcases the theatrical world of 9 Sad Symphonies — her 2024 album of sweeping, string-laced pop inspired by old Hollywood musicals — alongside new material including the punchy, punk-tinged single GERM.

Known for her cheeky wit, unfiltered lyrics and ever-evolving sound, Nash first stormed the charts with the platinum-selling Made of Bricks and era-defining single Foundations. Since then, she’s shapeshifted through punk, soul and synth-pop, carving out a singular space in UK music. Now, with a bold new vision, she brings her sharp songwriting into a cinematic new light — a powerful comeback from one of pop’s most playful rule-breakers.

This is an all-ages event (Under 16s accompanied by an adult, Under 14s accompanied and in seats).

Please note you will need to access your tickets via the Roundhouse Online Wallet at - http://wallet.roundhouse.org.uk

Your tickets WILL NOT be available in the DICE app. Just follow the below steps below on the day of event to access your ticket to the show:

Head to http://wallet.roundhouse.org.uk

Sign in using your DICE account email address - if you already had a Roundhouse account under the same email address, enter the password associated with this email address. If you didn’t have one, Roundhouse will have created one for you and you’ll just need to reset the password before logging in.

If you need to reset your password, you’ll be taken to http://roundhouse.org.uk, but you need to log in again at http://wallet.roundhouse.org.uk to access your ticket.

The QR code should appear a couple of hours before the stated time on your ticket

If you want to transfer your tickets to a friend please do so at least 4 hours before the event within the Roundhouse ticket wallet.

If you cannot access your tickets in the Roundhouse online wallet please visit the venue box office when you arrive and one of the team will be happy to assist you.

Full information regarding the Roundhouse online wallet can be found at - https://www.roundhouse.org.uk/faqs/digital-tickets/

IMPORTANT: Read here about your Roundhouse tickets

Kate Nash

Misery

Eat Your Own Ears presents The Notwist at The Garage.

Morphing from a post-hardcore outfit into one of indie electronic's definitive acts, the Notwist have continually evolved over their decades-long career.

The Notwist have finished the recordings for their new album which will be released via Morr Music in spring 2026.

Age restriction 14+ (under 16s accompanied by an adult)

This is a 14+ event  (under 16s accompanied by an adult)

The Notwist

The Notwist - Consequence

The Garage (London)

Eat Your Own Ears presents Pitou at The Waiting Room.

"Amsterdam-born artist Pitou has one of the most arresting voices to emerge from this year, drawing comparisons to the likes of Laura Marling and Julia Holter, crafting intelligent folk-pop that balances the darkness and light of human emotion." - The Independent

Dutch songwriter and composer Pitou has unveiled new single “Too Good To Go”, a wonderfully scattershot song brimming with mania, mischief and cacophony – somewhere in the vein of Björk, Meredith Monk, Jockstrap, and (especially rhythmically) Orchestra Baobab.

Age restriction 18+

Pitou

Pitou - Devote

14+ (under 18s must be accompanied by an adult)

The venue is fully accessible for disabled patrons and tickets **must** be booked by the venue directly. They can be contacted via phone: 0161 817 4531 and/or email: access@factoryinternational.org. More information can be found here: https://factoryinternational.org/aviva-studios/access/

Eat Your Own Ears

Promoter

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