Baba Yaga's Hut

Baba Yaga's Hut presents Craven Faults

This pass grants access to both sets - note Craven Faults will be performing two distinct sets.

Craven Faults returns to London for the first time since the sold-out debut at 9294 in February 2024. Further longform electronic journeys across post-industrial northern Britain – performed on modular synthesiser with live projections.

This is an 18+ event

Institute of Contemporary Arts

Craven Faults + Flaer (two-show pass)

Craven Faults

Flaer

Gigs

London

ICA (Institute of Contemporary Arts)

Baba Yaga's Hut Presents Craven Faults + Flaer

Craven Faults returns to London for the first time since the sold-out debut at 9294 in February 2024. Further longform electronic journeys across post-industrial northern Britain – performed on modular synthesiser with live projections.

There will be two different sets presented across the matinee and evening shows with a discount available when buying tickets for both.

Craven Faults + Flaer (4pm)

Baba Yaga's Hut Presents:

Vapors of Morphine

\+ Special Guest: Get the Blessing

November 22nd - 100 Club

£30 / 7:30pm

Vapors of Morphine are a power trio featuring electric baritone sax, drums, and 2 string slide bass (often guitar). Baritone saxophonist Dana Colley is the through-line between Vapors and “low rock” pioneers Morphine, who’s leader Mark Sandman left this earth while performing onstage in Italy in 1999.

VoM perform much of the Morphine repertoire, plus new material and original versions of selective covers. They expand on the ethereal, hypnotic sounds popularized by the group in the nineties, and dig into their influences, from African music to delta Blues.

Vapors was formed over a decade ago by Colley, singer and multi-instrumentalist Jeremy Lyons and Morphine’s original drummer Jerome Deupree. Drummer Tom Arey (J. Geils Band, Peter Wolfe’s Midnight Ramblers, Ghosts of Jupiter) replaced Deupree in 2019.

Their new album represents both a new era and a return to form for Vapors of Morphine. Fear & Fantasy, in its often lush arrangement, recalls Morphine’s final album, The Night, where Deupree teamed up with Billy Conway, the drummer who had replaced him; this time Arey plays on one side, Deupree on the other. It only seems fitting when both bands have been blessed with a revolving cast of top-notch percussionists.

Get the Blessing:

It was twenty years ago today (or thereabouts) that the key ingredients of what was to become the award-winning, internationally touring, musical potage Get The Blessing were first gathered together in a Bristolian deep-sided saucepan to begin the slow process of sweating…

Since then, the recipe has been periodically tweaked and adapted, with unexpected spicings and unlikely additions, but the basic sofrito has remained constant: the rhythm section of Jim Barr (bass) and Clive Deamer (drums), best-known for their work with the band Portishead, and the horns of Jake McMurchie (saxophones) and Pete Judge (trumpet), two of the most distinctive players to emerge from the Southwest’s vibrant jazz scene.

Another constant flavour has been the influence of Ornette Coleman’s great early quartet. The Blessing, as it was until an enforced name-change, took its name from one of Ornette’s tunes, and began as an acoustic homage to those ground-breaking free-spirited albums of the late 1950s and early 1960s, before plugging in and ploughing on in its own uncategorisable furrow.

From then on, GTB has rarely stopped touring, amassing a truly international fan-base, with tours and festival appearances in the UK, USA, Canada, Dubai, Ireland, Austria, Belgium, the Czech Republic, Denmark, France, Germany, Hungary, Ireland, Italy, Lithuania, Luxembourg, Macedonia, Norway, Poland, Portugal, Serbia, Slovakia, Slovenia, Spain, Sweden, Switzerland, The Netherlands, Turkey, and Ukraine.

Vapors of Morphine + Get the Blessing

Vapors of Morphine - Souvenir

Vapors of Morphine

Get the Blessing

The 100 Club

Craven Faults + Flaer (8pm)

Baba Yaga's Hut Presents:

Gwenifer Raymond

At The Ivy House - 25th November 2025

Due to demand and many people on the waiting list for Gwenifer Raymond's sold out show at The Ivy House on November 25th we added a second earlier show on the same day at the same venue.

Doors will open at 6pm and Gwenifer will perform from 6.20 to 7.20, no support for this one. Chris Rainier will be opening for the later sold out show.

Gwenifer began playing guitar at the age of eight shortly after having been first exposed to punk and grunge. After years of playing around the Welsh valleys in various punk outfits she began listening more to pre-war blues musicians as well as Appalachian folk players, eventually leading into the guitar players of the American Primitive genre. It was then that Gwenifer began writing her own moody and often-times manic original American Primitive styled compositions and started playing shows around the UK.

In 2017 she signed to the multi-Grammy award nominated label Tompkins Square. She released her first single ‘Sometimes There’s Blood’ in October of that year and released her debut album 'You Never Were Much of a Dancer' in June of 2018 to worldwide acclaim.

What followed was much international touring. Gwenifer headlined shows across much of Europe, debuted at several summer festivals including Green Man, Black Deer and Supernormal to name but a fraction. She also played a number of support slots for well known artists such as Michael Chapman, Michael Hurley, Xylouris White and Charlie Parr.

In early 2020 Gwenifer was all set to get into the studio to record her follow up album when the minor inconvenience of a worldwide pandemic complicated matters slightly, and so she was forced to record and produce the album herself in a make-shift bedroom studio at her home in Brighton, UK. ‘Strange Lights Over Garth Mountain’ was released in November of that year and received tremendous praise, especially as something of a transformation from her previous album, moving from a more traditional folk style into somewhat more avant-garde and complex compositions.

Gwenifer Raymond (Early Show - 6pm)

Gwenifer Raymond - Jack Parsons Blues

Gwenifer Raymond

The Ivy House

Baba Yaga's Hut Presents:

Gwenifer Raymond + Chris Rainier

£17 (inc. fees) - The Ivy House - 25th November 2025

Gwenifer began playing guitar at the age of eight shortly after having been first exposed to punk and grunge. After years of playing around the Welsh valleys in various punk outfits she began listening more to pre-war blues musicians as well as Appalachian folk players, eventually leading into the guitar players of the American Primitive genre. It was then that Gwenifer began writing her own moody and often-times manic original American Primitive styled compositions and started playing shows around the UK.

In 2017 she signed to the multi-Grammy award nominated label Tompkins Square. She released her first single ‘Sometimes There’s Blood’ in October of that year and released her debut album 'You Never Were Much of a Dancer' in June of 2018 to worldwide acclaim.

What followed was much international touring. Gwenifer headlined shows across much of Europe, debuted at several summer festivals including Green Man, Black Deer and Supernormal to name but a fraction. She also played a number of support slots for well known artists such as Michael Chapman, Michael Hurley, Xylouris White and Charlie Parr.

In early 2020 Gwenifer was all set to get into the studio to record her follow up album when the minor inconvenience of a worldwide pandemic complicated matters slightly, and so she was forced to record and produce the album herself in a make-shift bedroom studio at her home in Brighton, UK. ‘Strange Lights Over Garth Mountain’ was released in November of that year and received tremendous praise, especially as something of a transformation from her previous album, moving from a more traditional folk style into somewhat more avant-garde and complex compositions.

Gwenifer Raymond + Chris Rainier 

Chris Rainier

Baba Yaga's Hut Presents:

Société Étrange & Mégabasse

November 27th - New River Studios

£16 / 7:30

Société Étrange:

This French trio, composed of Antoine Bellini (electronics), Romain Hervault (bass) and Jonathan Grandcollot (percussion), explores a minimalist instrumental soundscape, where repetition and tension play a central role. The result is a music that is both hypnotic and introspective, where the presence and absence of sonic elements balance with minimal precision. Between electronic layers, melodic percussions and winding bass lines, the tracks move forward like on a foggy road, uncertain but captivating.

Mégabasse:

Pierre Bujeau is an expert at creating temporary escape zones - musical structures to evade the everyday. Sometimes he works collectively as part of the mysterious French groups Omertà and Tanz Mein Herz. But it’s when he’s on his own, performing as Megabasse, that he offers the most complete break from reality.

His kit is simple: twin Fender amps, and his double-necked guitar. An instrument like this normally signals maximum rockist excess - think Jimmy Page or Geddy Lee. In Pierre’s hands, it becomes more like a zither or a dulcimer, producing soft chiming patterns that build against themselves until the sound of the room, passed back and forth between his two amps, starts to blur everything, and we are away in another world. Wait, though - let down your yoga bun and don’t light the palo santo yet. The new space he creates has nothing to do with smug well-ness. It’s a rough, do-it-yourself psychedelia, scuffed but hopeful. Not a perfect blank space to be your best self in, but instead a communal dreaming, an uncanny place where all are welcome.

Société Étrange & Mégabasse 

Société Étrange - Premier soulier

La Société Étrange

Megabasse

New River Studios

Baba Yaga's Hut Presents:

Minami Deutsch + Floral Image

£22 (inc. fees) - Dingwalls - 28th November 2025

Minami Deutsch is a krautrock band from Tokyo, Japan. Known as self-proclaimed “repetition freaks,” the band draws inspiration from psychedelic rock and minimal techno, but their true obsession lies in krautrock—a fact hinted at by their name, which translates to “South Germany.”

Founded by Kyotaro Miula in 2014, the band began by performing live on the bustling streets of Tokyo. Since then, they have released three albums through their local friend's label Guruguru Brain. Their hypnotic, motorik-driven sound has taken them across Europe and the United States, where they’ve shared stages with artists like Damo Suzuki, the former vocalist of the legendary krautrock band CAN.

Their third studio album, \*Fortune Goodies\* (2022), is a deep dive into the rich legacy of krautrock. Drawing from Miula's expanded musical vocabulary after relocating from Tokyo to Berlin, the album offers a uniquely Japanese perspective on encyclopedia of Krautrock. In 2024, Minami Deutsch completed two North American tours, including supporting Earthless and performing at the Levitation Festival, further cementing their place as a leading voice in modern kraut/psychedelic music.

Minami Deutsch + Floral Image

Tunnel

Minami Deutsch - Tunnel

Minami Deutsch

Floral Image

Dingwalls

Baba Yaga's Hut Presents:

Kling Klang + The Rebel

Free entrance - The Shacklewell Arms - 29th November 2025

\*\*Please note a free ticket does not guarantee entry, get there early to make sure you get in\*\*

KLING KLANG are a no-nonsense heavy experimental music group performing with vintage synths, drums and attitude. Influenced by krautrock / noise / stoner music such as Neu!, Trans Am, Chrome and Black Sabbath. The band are currently touring in support of their upcoming release on Wrong Speed Records, and the repress of their critically acclaimed debut LP “The Esthetik Of Destruction”. The current lineup features Joe McLaughlin and Jon Hamilton from Part Chimp alongside George McFall and Ricky White.

“Synth-Propelled drone-rock genius. Rocking like a Mangabot Sabbath...Kling Klang take art-rock and drive an incessantly malevolent wedge through it. They’ve got mesmerizing groove and dark n’ discordant experimentation over convulsing punk rock riffs down to a fine art” Kerrang

“Kling Klang echo the heavier edges of Kosmische Musik, especially the transcendent recursive simplicity of Neu!, the ‘three Rs’ of Mark E. Smith and the DIY inventions of Joe Meek, the robotic filth of Suicide’s ‘Ghost Rider’, the drones and distortions of Cale-era Velvets, the Grand Guignol of Goblin, but also the romantic minimalism you find in the rich seam of working class northern English synth music. Somehow Kling Klang take all these elements, and compress them with immense pressure into a kind of neutron star perfection, from which only two-note keyboard solos can escape. In other words, Kling Klang are fun.” The Quietus

“If you still feel a nervy rush of excitement from the intergalactic grooves of Hawkwind's ‘Silver Machine’ as they kick into warp drive, then you must go and see this band”. Freq Magazine

“Like Goblin doing the soundtrack to Day of The Dead on heavy duty synths and guitars that drone like Electric Wizard” Vice

“A group sharing the same name as Kraftwerk's Dusseldorf studio? I had to check them out. Pounding Krautrock inspired Motorik beat, like Neu! welded to incessant Phillip Glass keyboard riffs” Andy Mcluskey, Orchestral Manoeuvres in the Dark

“Kling Klang’s Heavydale blew me away then and still does now. They are so awesome live.” Adrian Utley, Portishead

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"The Rebel" was born Benedict Roger Wallers in 1971.

Since 1989 BR Wallers has recorded & hand-distributed a bewildering array of impossibly hard-to-find home-made cassette-albums, under a variety of guises.

The songs on these tapes often provided the basis of the Country Teasers band's live shows and official releases.

LNZRT

Kling Klang + The Rebel

Kling Klang

The Shacklewell Arms

Baba Yaga's Hut Presents:

Penelope Trappes + Sophia Hansen-Knarhoi

November 29th - St Matthias Church

£18 / 7:30pm

UK-based Australian vocalist, producer, and multi-instrumentalist Penelope Trappes formally trained in opera and jazz in her youth, Penelope swaddles her voice and poetics in brooding atmospherics underpinned by subterranean drone. On April 4 2025, She released her fifth full-length album ‘A Requiem’ on London imprint, One Little Independent Records. ‘A Requiem’ collects ten haunting, ambient soundscapes - incantations of dreams and nightmares, of death and grief, as well as power and autonomy. Carnal, transcendent cello drones are used to exorcise historical and generational traumas in an evocative and macabre piece of gothic experimentalism.

She released her acclaimed trilogy, ‘Penelope One’, ‘Two’ and ‘Three’, on Fabric’s Houndstooth label. In between instalments of her ambitious trilogy, Penelope released a clutch of both experimental and more dreampop-oriented EPs. She demonstrated her versatility in the extended 25-minute deep-listening composition ‘Gnostic State’, and the arpeggiated electronics and minimalist songwriting on the ‘Eel Drip’ EP, which was accompanied by image and film inspired by Francesca Woodman’s 1970s series of nude self-portraits with eels. She also released an album of reworks, ‘Penelope Redeux’, with contributions by Cosey Fanni Tutti, Mogwai, Félicia Atkinson and Nik Colk Void, and the cassette, ‘Mother’s Blood,’ a vocal-free meditative reinterpretation of 'Penelope Three’ concluding with the live-scoring of a 1-hour film at Sonica Festival.

Penelope’s fourth album, ‘Heavenly Spheres’, was released in 2023 on her own Nite Hive imprint, was composed using just piano, voice and an old reel-to-reel tape deck during a two-week artist residency for Britten Pears Arts at the house where the composer, teacher and musicologist Imogen Holst lived in Aldeburgh, Suffolk. Most recently, 2024’s ‘Hommelen’, the austere and beautifully severe result of her Halldorophone residency at EMS Stockholm was released on Paralaxe Editions.

In the live realm, Penelope’s music expands into tidal waves and surges of tension with hypnotising gothic live visuals by Agnes Haus. Select shows are accompanied by a live band, and other times performing solo, she has shared the stage with the likes of William Basinski, Mary Lattimore, and HTRK, and she has extensively toured the UK, Australia, and Europe over the last five years, including a pivotal live performance with the London Contemporary Orchestra at Southbank Centre.

All ages

Penelope Trappes + Sophia Hansen-Knarhoi

Afraid

Penelope Trappes - Afraid

Penelope Trappes

Sophia Hansen-Knarhoi

St Matthias Church

Baba Yaga's Hut Presents:

The Bug ft. Warrior Queen

The Bug vs Ghost Dubs

Gorgonn

30th November at The Colour Factory

Sunday Day Party - 4pm to 9pm

Soundsystem: Firmly Rooted

Colour Factory

The Bug featuring Warrior Queen + Ghost Dubs & Gorgonn

The Bug - Poison Dart (feat. Warrior Queen)

The Bug - Poison Dart

The Bug

Warrior Queen

Ghost Dubs

gorgonn

Baba Yaga's Hut Presents:

Dec 1st - Moth Club

Gnod + João Pais Filipe

One of the UK's most vital bands Gnod return to London at Moth Club with support from Portuguese drummer, percussionist and cymbal maker Joao Pais Filiple.

Celebrating 20 years of Lovers & Lollypops.

This is an 18+ event.

MOTH

Gnod + João Pais Filipe

Gnod - People

Gnod

João Pais Filipe

MOTH Club

Baba Yaga's Hut Presents:

Francesca Ter-Berg // Anna Clock: Double Headline

Hundred Years Gallery, December 3rd

Francesca Ter-Berg is a cellist and composer known for her unique style which blends Klezmer, Improvisation, and electronic synthesis. Her debut EP (released on the Phantom Limb Label) achieved Best Experimental Music on Bandcamp + Quietus Best Releases of 2021. Francesca writes for film and TV, commissions include the Turner Contemporary and Margate NOW Festival. Her critically acclaimed duo Fran & Flora (“Border-defying” – Mojo, “vibrant, mournfully expressive, and creatively imaginative” – Line Of Best Fit) released their 2nd self-produced studio album Precious Collection in April 2024 on Hidden Notes Records (The Guardian Top 10 Folk Albums of 2024).She tours and records with Imogen Heap, Tom Skinner, Portico Quartet, Ziah Ziah and prominent klezmorim including Grammy award winner Frank London, Zoe Aqua and Craig Judelman. She has spent many years developing her Klezmer style, adapting the cello to explore all aspects of the music from accompaniment, tenor lines and bass to melody and simultaneously singing. Francesca performs and teaches at Klezmer festivals globally including KlezMore Vienna, KlezFest London, Yiddish New York and is a Professor of Electronic & Produced music at Guildhall School of Music & Drama.

“Ter-Berg's vocals have a cool charm \[whilst her\] cello passionately laments” – Clive Bell, The Wire

“Francesca Ter-Berg has a sense of levitating above and around the material world” – Jennifer Lucy Allen, The Quietus

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Anna Clock is a musician and sound artist whose solo music projects blend cello, field recordings and electronics, blurring the lines between sound, noise and music and inviting the audience to listen to their environment in new ways. Their latest EP UMBRA was released on Fort Evil Fruit to critical acclaim.

The label describes: ‘Between sinewy cello and rumbling vocals, we are invited to eavesdrop on intimate domestic scenes and the steps of a solitary dancer. The hum of waves dragging over rocks and leaves wilting in the rain draws us into an assured quietude, contrasting with moments of fury and ecstasy.’

Alongside their solo work they score film, theatre, radio and installations. They have collaborated, performed and recorded with musicians including Ailbhe Nic Oireachtaigh (IRL), Lori Goldston (USA), Thruoutin (CN), Woven Skull (IRL), Hozier (IRL), David Lacey (IRL), David Turpin (IRL), Roger Kim (USA). Recent commissions include sound and musical works for The Science Museum, Wellcome Collection, Royal Court Theatre, Lyric Hammersmith (UK), Times Square, Irish Arts Centre (NYC), Dresden Staatsschauspiel (GER), Project Arts Centre (IRL) and Cirko (FIN). Their audio works have been played on BBC Radio 4, Radio 3, Resonance FM, Radio na Life and RTE Lyric radio. They are currently pursuing a funded Collaborative Doctoral Award with the Science Museum in the UK exploring how we listen to outer space.

‘Cello played with gorgeous dark energy…a constant reminder of what a great instrument the cello can be’ – Byron Coley, The Wire on UMBRA

'Quite simply, it rules.There’s something just so satisfying about the simple-yet-strange arrangements — a sense that you’re being passed to and fro between a domestic space or studio and a trippy dreamstate with a gentle hand.' – Eoin Murray, Anois, Os Ard on UMBRA

\--

www.francescaterberg.com

www.annaclock.com

Francesca Ter-Berg // Anna Clock: Double Headline

Francesca Ter-Berg - Me Sunowa

Francesca Ter-Berg

Anna Clock

Stoke Newington

Hundred Years Gallery

Baba Yaga's Hut Presents:

SANAM صنم (Beirut)

\+ Barbican Estate (Tokyo, Japan)

SANAM is a Beirut-based sextet that merges psych/kraut, improv/skronk, electronics, goth, and jazz elements with traditional Egyptian song and modern Arabic poetry in a compelling brew of widescreen hybrid avant-rock. Emerging from Beirut’s fiercely creative independent scene, the group features Sandy Chamoun (vocals), Antonio Hajj (bass), Farah Kaddour (buzuq), Anthony Sahyoun (guitar, synth), Pascal Semerdjian (drums), and Marwan Tohme (guitars).

“Excellent… Psychedelic guitar swirl, Arabic lyrics and pounding drums cohere to create a loud and lively eight tracks, with highlight Harik using singer Sandy Chamoun’s gasping vocalisations as punctuating rhythm.” - THE GUARDIAN

“a sort of blood-thirsty Arkestra from Beirut. Pure skronk, dense strings and chanted vocals sit atop some thunderous desert rock as singer Sandy Chamoun yelps and hollers with ever-increasing intensity.” - LOUD AND QUIET

Barbican Estate is a three-piece band blending experimental and psychedelic rock, noise, and diverse artistic influences into vivid, immersive soundscapes. After forming in Tokyo in 2019 and becoming active in the local scene, they relocated to London in 2022, where they continue to expand their sonic and visual expression through live performances and collaborations.

Rich Mix

SANAM صنم (Beirut) + Barbican Estate

Bell

SANAM - Bell

Barbican Estate

**100 Club x Baba Yaga's Hut presents... Shovel Dance Collective + Benedict Drew**

The 100 Club's End Of Year Series returns for 2025, bringing underplays and shows featuring your future new favourite artist to London's most beloved, iconic basement.

100 Club

Shovel Dance Collective + Benedict Drew

Shovel Dance Collective

Benedict Drew

Baba Yaga's Hut presents Snapped Ankles + TaliaBle at ICA.

As the name suggests, the tracks that make up Snapped Ankles’ Hard Times Furious Dancing album were designed for live performance. Or more specifically to make people move as if their lives depend on it. Honed at the band’s Forest Rayve club nights throughout 2024 and released in 2025 - it marked a new era for the woodwose.

Battle cries echo through the forest - “People of principle rise up!” As you approach the clearing, you can feel the bass through your feet and in your chest. Green lasers cut through the mist as gabba breaks collide with rabid howls. It’s a heaving sweaty mess. There’s no time to think before you’re onto the next one. Hands in the air, woodwose in the crowd, head torches set to stun.

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TaliaBle is a North London based, Punk Rapper and Visual Artist who is prized as thee go to underground circus; To experience a world full of surplus WONDER, surrealism and raw stories. Gaining the attention from i.D magazine, Fred Perry Subculture as well as headlining a Late at Tate (Tate Britain) show. TaliaBle has been hailed as ‘exciting, experimental and punk as hell.’ From 100 Club to Keephush, Round House, Outbreak Festival, KOKO and Pickle Factory TaliaBle is carving a yellow brick road through the underground scene proving her intention of ‘utilising music as a soundscape catalyst for imaginary world building….’. Her music is a place.

Snapped Ankles + TaliaBle (4pm)

Snapped Ankles - Rhythm Is Our Business - Edit

Snapped Ankles

TaliaBle

Snapped Ankles + TaliaBle (8pm)

Baba Yaga's Hut Presents:

Part Chimp + AAA Gripper & The Mute Servants at Corsica Studios

January 27th 2026

Part Chimp + AAA Gripper & The Mute Servants 

Back From The Dead

Part Chimp - Tomorrow Midnite

Part Chimp

The Mute Servants

Corsica Studios

Baba Yaga's Hut Presents:

Evicshen

Vespers, Peckham - January 29th

Victoria Shen is an experimental music performer and sound artist from San Francisco. Though analog synthesizers are the backbone of Shen’s music, while performing live, she plays self-made electronics, invented instruments, and even acoustic objects like a bull whip. Shen is a markedly mobile performer that muddles the boundaries between performer and audience, stage and floor. Her sets tend to be site-specific, in direct response to the physical and acoustic qualities of the space in which she performs. Her live show vacillates between moments of restraint and swells of frenetic and confrontational movement. A tightrope walk between control and chance, the whiff of danger is never far during Shen’s performances. Her sound is dynamic with a sensitivity to texture and structure throughout.

Evicshen

Evicshen - Current Affair

Vespers Club Peckham

Baba Yaga's Hut Presents:

Big Sexy Noise (Lydia Lunch & Gallon Drunk) + Export / Import

Corsica Studios - February 3rd

The unholy triumvirate of Big Sexy Noise featuring Lydia Lunch, James Johnston (Nick Cave, PJ Harvey, Faust) & Ian White (Barry Adamson) of the notorious Gallon Drunk are dead set on proving once more that ROCK is alive and kicking, down and dirty and raunchier than ever!

Lunch helped pioneer no wave in 1977 with the slashing din of Teenage Jesus and the Jerks and has remained a caustic presence in the alt-rock firmament ever since. Big Sexy Noise unites her with guitarist James Johnston and drummer Ian White of guttural London greasers Gallon Drunk for the most joyfully bawdy music of her career, stripping bare the bluesy brawn of 70’s heavy-rock and inverting its every cock-rock cliche to Lunch’s delight.

White’s limber shuffle injects sinful grace into what could have been Neanderthal sludge, while Johnston stirs up the din of an entire band with his single guitar, hurtling between bone-simple, steamy riffs and blasts of near psychedelic noise.

In January 2026 In The Red Records USA will partner with Forte Distribution UK and Konkurrent NL to release Big Sexy Noise Live in Italy, a fierce, fearless, tub thumbing, balls to the wall rock monsterpiece. Big Sexy Noise are reuniting for a select handful of UK and European shows to celebrate the release of this ferocious beast.

Big Sexy Noise (Lydia Lunch & Gallon Drunk) + Export / Import 

Big Sexy Noise - Baby Faced Killer

Big Sexy Noise

Lydia Lunch

Gallon Drunk

Export Import

Baba Yaga's Hut Presents:

Kelly Moran - 2 day residency at Cafe Oto

Night 1 - February 5th - Set B

Piano with electronics and projections - grand piano and trigger electronics from my laptop to mix with my playing.

Over the past decade, New York-based composer and producer Kelly Moran has challenged the piano's traditional, classically-imposed school of thought with a more contemporary, experimental approach. An accomplished and highly sought-after composer, Moran has collaborated and performed with FKA twigs and Oneohtrix Point Never as part of their live ensembles. Moran has also composed for classical musician Margaret Leng Tan and recorded collaborations with other visionary contemporaries like Kelsey Lu, Yves Tumor, The Avalanches, Helado Negro, Bibio, and more.

As a solo artist, Moran's critically acclaimed albums, Bloodroot and Ultraviolet, have explored a variety of extended piano techniques like John Cage-inspired prepared piano and exercises in improvisation. Her unique strand of experimental piano compositions, which conjure hypnotizing textures and dramatic compositional arcs, have been included on year-end lists across classical, avant-garde, and metal genres. Moran’s most recent album, Moves in the Field, was praised by the New York Times for being “a softhearted but steel-skinned set of 10 piano pieces that are as rapturous as a waterfall or as delicate as vapor. Her first album in six years, it is the redemptive conclusion in an extended span of personal tragedy and professional doubt, all ingrained in its sweeping songs.”

Kelly Moran Residency - Day 1 (Set B - Piano With Electronics And Projections)

Kelly Moran - Butterfly Phase

Kelly Moran

Cafe OTO

Baba Yaga's Hut Presents:

Kelly Moran - 2 day residency at Cafe Oto

2 Day Pass - February 5th & 6th

Feb 5th - Set B - Grand piano with trigger electronics and projections

Feb 6th - Set A - Piano solo (no electronics) + projections - contemporary piano recital I perform acoustic renditions of my works, as well as covers of Ryuichi Sakamoto pieces.

Over the past decade, New York-based composer and producer Kelly Moran has challenged the piano's traditional, classically-imposed school of thought with a more contemporary, experimental approach. An accomplished and highly sought-after composer, Moran has collaborated and performed with FKA twigs and Oneohtrix Point Never as part of their live ensembles. Moran has also composed for classical musician Margaret Leng Tan and recorded collaborations with other visionary contemporaries like Kelsey Lu, Yves Tumor, The Avalanches, Helado Negro, Bibio, and more.

As a solo artist, Moran's critically acclaimed albums, Bloodroot and Ultraviolet, have explored a variety of extended piano techniques like John Cage-inspired prepared piano and exercises in improvisation. Her unique strand of experimental piano compositions, which conjure hypnotizing textures and dramatic compositional arcs, have been included on year-end lists across classical, avant-garde, and metal genres. Moran’s most recent album, Moves in the Field, was praised by the New York Times for being “a softhearted but steel-skinned set of 10 piano pieces that are as rapturous as a waterfall or as delicate as vapor. Her first album in six years, it is the redemptive conclusion in an extended span of personal tragedy and professional doubt, all ingrained in its sweeping songs.”

Kelly Moran Residency - 2 Day Pass

Baba Yaga's Hut Presents:

Kelly Moran - 2 day residency at Cafe Oto

Night 2 - February 6th - Set A

Piano solo (no electronics) + Projections - contemporary piano recital I perform acoustic renditions of my works, as well as covers of Ryuichi Sakamoto pieces.

Over the past decade, New York-based composer and producer Kelly Moran has challenged the piano's traditional, classically-imposed school of thought with a more contemporary, experimental approach. An accomplished and highly sought-after composer, Moran has collaborated and performed with FKA twigs and Oneohtrix Point Never as part of their live ensembles. Moran has also composed for classical musician Margaret Leng Tan and recorded collaborations with other visionary contemporaries like Kelsey Lu, Yves Tumor, The Avalanches, Helado Negro, Bibio, and more.

As a solo artist, Moran's critically acclaimed albums, Bloodroot and Ultraviolet, have explored a variety of extended piano techniques like John Cage-inspired prepared piano and exercises in improvisation. Her unique strand of experimental piano compositions, which conjure hypnotizing textures and dramatic compositional arcs, have been included on year-end lists across classical, avant-garde, and metal genres. Moran’s most recent album, Moves in the Field, was praised by the New York Times for being “a softhearted but steel-skinned set of 10 piano pieces that are as rapturous as a waterfall or as delicate as vapor. Her first album in six years, it is the redemptive conclusion in an extended span of personal tragedy and professional doubt, all ingrained in its sweeping songs.”

Kelly Moran Residency - Day 2 (Set A - Piano solo)

Baba Yaga's Hut Presents:

Shit & Shine Residency

Friday + Thee Alcoholics

Saturday + Louse

Coming from Austin, Texas. Craig Clouse, the hardest working man in the business, has released everything from pounding and shiny techno to acid house, electro, funk, krautrock, hip hop, found sound, spoken word, live percussions... He is uninterested in the self imposed restrictions of genre. He has carved out a unique spot in machine music. He's certainly skilled to have been kicking about this long, but one of his most appealing traits is that he approaches music with the fervour of an enthusiastic amateur .2018's You Were Very High EP, established something of a watershed moment for the majority of his current sound. After weeks of sitting at a sampler loaded with anything and everything - Black Sabbath, Rihanna, Prince, Steely Dan and a host of audio lifted from YouTube clips, the record's two sprawling sides come together like a hallucinogenic sonic miracle.

He's also very good with his use of samples which are often hilarious!

Shit & Shine Residency - 2 Day Pass

You Were Very High

Shit and Shine

Thee Alcoholics

Louse

Baba Yaga's Hut Presents:

Shit & Shine Residency - Friday + Thee Alcoholics

Coming from Austin, Texas. Craig Clouse, the hardest working man in the business, has released everything from pounding and shiny techno to acid house, electro, funk, krautrock, hip hop, found sound, spoken word, live percussions... He is uninterested in the self imposed restrictions of genre. He has carved out a unique spot in machine music. He's certainly skilled to have been kicking about this long, but one of his most appealing traits is that he approaches music with the fervour of an enthusiastic amateur .2018's You Were Very High EP, established something of a watershed moment for the majority of his current sound. After weeks of sitting at a sampler loaded with anything and everything - Black Sabbath, Rihanna, Prince, Steely Dan and a host of audio lifted from YouTube clips, the record's two sprawling sides come together like a hallucinogenic sonic miracle.

He's also very good with his use of samples which are often hilarious!

Shit & Shine Residency - Friday + Thee Alcoholics

Baba Yaga's Hut Presents:

Shit & Shine Residency - Saturday + Louse

Coming from Austin, Texas. Craig Clouse, the hardest working man in the business, has released everything from pounding and shiny techno to acid house, electro, funk, krautrock, hip hop, found sound, spoken word, live percussions... He is uninterested in the self imposed restrictions of genre. He has carved out a unique spot in machine music. He's certainly skilled to have been kicking about this long, but one of his most appealing traits is that he approaches music with the fervour of an enthusiastic amateur .2018's You Were Very High EP, established something of a watershed moment for the majority of his current sound. After weeks of sitting at a sampler loaded with anything and everything - Black Sabbath, Rihanna, Prince, Steely Dan and a host of audio lifted from YouTube clips, the record's two sprawling sides come together like a hallucinogenic sonic miracle.

He's also very good with his use of samples which are often hilarious!

Shit & Shine Residency - Saturday + Louse

Baba Yaga's Hut Presents:

Jozef Van Wissem - The Cabinet of Dr. Caligari - Live Soundtrack

St Matthias Church - February 17th

According to The New York Times “Van Wissem is both an avant-garde composer and a baroque lutenist, and thus no stranger to dichotomy”. He has gained recognition for his innovative approach, the “liberation of the lute”, as he describes it. Jozef Van Wissem is an avant-garde composer and lutenist who plays his unique all-black baroque lute all over the world. His timeless music is often described as hypnotic, minimal, and hauntingly atmospheric, merging beauty with a dark, meditative edge. His lyrics have a mythical Christian appeal, incorporating themes of love, faith, and the afterlife, often with a repetitive, mantra-like quality. He studied lute in New York with Patrick O’Brien in the 1990s and has since built a career that bridges classical traditions with modern sounds like drones, electronics, field recordings and voice.

He collaborates with filmmaker and musician Jim Jarmusch, including the award-winning soundtrack for Only Lovers Left Alive, for which Van Wissem won the Cannes Soundtrack Award in 2013. A world tour with Jarmusch and their 5th record “ The Day The Angels Cried” is coming up in 2025.

His solo work spans albums like Stations of The Cross (2008) which Wire Magazine labeled a small masterpiece, New Lute Music For Film (2013) and Behold! I Make All Things New (2022), as well as scores for films like Un Prince (2023).

Van Wissem tours extensively, performing in diverse venues from rock festivals to churches, and has worked with artists like Tilda Swinton and Zola Jesus. In 2019 he was commissioned by Cinematheque Francaise to score the silent horror film Nosferatu (1922). He released the soundtrack in 2022 on his own Incunabulum label. The New York Times wrote: Beginning with a solo played on the lute, his performance will incorporate electric guitar and distorted recordings of extinct birds, graduating from subtlety to gothic horror. “My soundtrack goes from silence to noise over the course of 90 minutes,” he said, culminating in “dense, slow death metal.” In 2024 Van Wissem did a sold out nationwide American tour with the film. He has scored numerous feature films and documentaries.

In 2022 four of his compositions including the vocal piece “Love Destroys All Evil” were featured in HBO’s Irma Vep Series (starring Alicia Vikander). In 2023 Van Wissem scored the Cannes Award winning film Un Prince. The New York Times wrote ” A subtly medieval score — distinguished by the thrum of a lute and composed by Jozef van Wissem — draws out a surreal dimension. Eventually, the film shifts into explicitly sexual and mythological terrain with a B.D.S.M. edge, and the score keeps pace, taking on a folk metal vibe.” His latest projects include the 2024 album The Night Dwells in the Day. The Chicago Reader said “ On The Night Dwells in the Day, he bolsters the lute’s delicate progress through the palindromic melodic structures of his compositions using sequenced beats, subliminal electronic drones, and stern intonations”. In 2024 Van Wissem was commissioned to score the silent film The Fall Of The House Of Usher (1928). In 2026 he will premiere his new live score for The Cabinet Of Dr. Caligari (1920).

A new solo record and worldwide tour is slated for early 2026. He will be performing all new material consisting amongst others of cinematic hypnotist slide lute pieces evoking contemporary deserted landscapes.

Jozef Van Wissem - The Cabinet of Dr. Caligari - Live Soundtrack

Jozef Van Wissem - Apology

Jozef van Wissem.

Baba Yaga's Hut Presents:

Yellow Swans + Dhangsha & aya (DJ Set)

Corsica Studios - February 18th

From their 2001 founding to the duo’s final shows (and subsequent hiatus) in 2008, Gabriel Mindel Saloman and Pete Swanson aka Yellow Swans carved an influential path through America’s experimental music underground, at the axis of noise, psychedelia, industrial, drone, and hardcore. During that time they released well over 50 recordings documenting studio experiments, live improvisations, and numerous collaborations. Together they relentlessly toured North America, Europe, and Oceania, performing at numerous international music festivals including Sonar (ES), Open Circuit (BE), and Sonic Protest (FR), and were invited to join Art Council England’s Free Noise Tour in 2007. After a 15 year break, they have returned to recording and performing. Their music continues to be restless, ragged, and forever in flux, untethered and unresolved.

Yellow Swans + Dhangsha & aya (DJ Set)

Yellow Swans - Foiled

Yellow Swans

Dhangsha

Baba Yaga's Hut and The Barbican presents:

Jóhann Jóhannsson: Cinematic Suites

The Denis Villeneuve Scores

A special performance at the Barbican of late Icelandic composer Jóhann Jóhannsson’s Cinematic Suites. Performed by the London Contemporary Orchestra, the concert will bring to life Jóhannsson’s evocative musical landscapes for three acclaimed films by visionary director Denis Villeneuve: Prisoners (2013), Arrival (2016), and Sicario (2018), celebrating the remarkable collaboration between them.

Wednesday 18 February 2026

Barbican Hall, 7pm

Tickets from £30 plus booking fee

This is a 14+ event.

Jóhann Jóhannsson's: Cinematic Suites

Jóhann Jóhannsson - Arrival

Jóhann Jóhannsson - Prisoners

Jóhann Jóhannsson

Barbican Hall

Baba Yaga's Hut Presents:

Holy Tongue + Soborgnost

Corsica Studios - February 24th

Holy Tongue began as a studio collaboration between percussionist Valentina Magaletti and producer Al Wootton. With three critically acclaimed EPs behind them they have transitioned into a live trio with the addition of Susumu Mukai. Their high energy live sets invoke the experimental dub of On-U-Sound, the frenetic rhythms of 23 Skidoo, Liquid Liquid and ESG. Psychedelic, free-form, high energy, spiritual dub-dance music.

Holy Tongue + Soborgnost

Holy Tongue - Misinai

Holy Tongue

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