Albertine's new album ‘Girl Missing’ (coming out on February 21st, 2025) is the latest highly anticipated project and follows Albertine’s acclaimed 2021 debut, The Sticky Fingers. It invites listeners into an intimate exploration of sisterhood, resilience, and overcoming grief, whilst emerging with a big dose of positivity and encouragement for what lies ahead.

The album's genesis took root during a period of personal loss. When a close friend went missing, Albertine found herself writing and revisiting unreleased sketches, slowly building a musical mosaic that expresses her understanding of absence. "I was creating a sounding biography of love," she reflects, weaving together the themes of female friendship.

Created between her recording studio in East Berlin and Margate, ‘Girl Missing’ is both contemplative and frisky, shaped by Sarges' nimble-footed vocal acrobatics. With longtime collaborator Lo Selbo, Albertine leaned into intricate soundscapes, arranging airy flute parts and choirs “to hold space for vulnerability” and then recording vintage organs and electric pianos to create warmth and soulfulness “to ease the pain”.

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Albertine Sarges

Albertine Sarges - Blue Lagoon

Gigs

Berlin

Kantine am Berghain

Manche Menschen haben ein Comeback, andere erleben eine Auferstehung. Für Peter Perrett gilt definitiv Letzteres. Der Sänger von The Only Ones hatte ziemlich genau 1978 mit „Another Girl, Another Planet“ seinen letzten und eigentlich auch einzigen Hit und versank danach ziemlich tief im Londoner Drogensumpf. Bis er 2017 wieder auftauchte und mit „How The West Was Won“ eine fabelhaft gute Solo-Debüt-Platte vorlegte. Der Stimme konnte man deutlich anhören, was dem Mann in den vier Dekaden dazwischen zugestoßen sein mag. Aber auch welche Treue in so einem Leben liegen kann: Mit seiner Freundin Zena, mit der er mit 16 von Zuhause abgehauen ist und die jede Phase der Abhängigkeit mitgemacht hat, feiert er im kommenden Jahr seine Goldene Hochzeit.

Vor allem aber zeigte das Album, dass Perrett voll auf der Höhe der Zeit ist: Zusammen mit seinen Söhnen Jamie und Peter Jr sowie Produzent Chris Kimsey hat er ein Stück Musik geschaffen, das nicht nur großartig ist, sondern auch eine Parabel darüber erzählt, wie man die Kontrolle, Würde und Weisheit auch in finstersten Zeiten behalten kann.

Peter Perrett

Peter Perrett - I Wanna Go with Dignity

Peter Perrett - I Wanna Go With Dignity

Following the success of our previous label nights in Berlin, we will hit the city once again to bring you a new dose of emerging music and all things InFiné. This time around, Frànçois & The Atlas Mountains and a very special guest will be taking the stage at Kantine am Berghain.

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Frànçois & The Atlas Mountains

Existing within the independent music scene for over ten years, Frànçois & The Atlas Mountains has created a sound that is so unmistakably his. In 2003 Frànçois settled in the UK, in Bristol where he brushed shoulders with Movietone and Panda Bear, who inspired his DIY approach. In 2011, Frànçois was the first French artist to be signed to Domino Records whose roster includes artists like Arctic Monkeys, Cat Power, and Franz Ferdinand.

Today, he opens a new chapter with InFiné, being the label's latest signature. Drawing from his memory, experiences and inner world, Francois has nurtured his music with earnestness and sophistication. His sixth studio album Âge Fleuve, which will be released on 31/01, stands as a body of work that attests to what makes his music so unique.

Watch the “Party” music video: https://www.youtube.com/watch?v=nvVw19P1JL4

Watch the "Adorer" music video: https://www.youtube.com/watch?v=XdupRLkPo8o

Follow Frànçois & The Atlas Mountains on Instagram: https://www.instagram.com/francoisatlas/?hl=fr

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Secret Guest

To be announced soon.

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Follow InFiné on Instagram : https://www.instagram.com/infinemusic/?hl=fr

Réservé aux plus de 18 ans.

InFiné

CLUB INFINÉ: FRÀNÇOIS & THE ATLAS MOUNTAINS + ...

Frànçois & The Atlas Mountains - Adorer

Frànçois & The Atlas Mountains - Party

Frànçois & The Atlas Mountains

WORLD BRAIN last graced us with a solo release with 2019’s Peer 2 Peer. As its name suggests, that album explored the promise and perils of universal connectivity via quirked-up songwriting and instrumental psychedelia. His new release, Open Source, deepens this internal and external journey. Bursting beyond the four walls of ‘bedroom pop’ and reflecting a move from Berlin to Paris—where much of the album was recorded—and on to Brussels, the album has a jazzy, cinematic scope (as on the Brubeck-inspired march “Fromage collatéral,”) enveloping the listener in a cosmic-pastoral audiosphere.

World Brain

World Brain - Made U Cry

World Brain - Minute papillon

Vier Jahre ist sein Ausstieg als Bassist bei AnnenMayKantereit her. Vier Jahre sind nicht viel Zeit, gemessen an einem Menschenleben. Aber genug, um einen Neuanfang zu machen. Dass es den brauchte, wurde Huck etwa ein Jahr zuvor auf einer Reise durch die USA und Mexiko klar. Die EP „i’ll be gone for a little while“ von 2022 war das erste Lebenszeichen als BEACHPEOPLE und seine Vorstellung davon sind, wer er sein könnte und wie er klingen will.

Die am 18. Oktober erscheinende Single „LEAVING THE BAND“ hält dabei den Zoom auf Maltes Entschluss, eine Band zu verlassen und damit eine erfolgreiche Karriere zu beenden, zugunsten der Hoffnung auf Freiheit, Selbstbestimmung und Bodenkontakt. Zum ersten Mal formuliert er in eigenen Worten, was bisher nur Spekulation und Branchengossip war und räumt zugleich den Weg frei für sich selbst. “I STOPPED TO COUNT THE NUMBERS AND STARTED TO DREAM AGAIN.” Überhaupt ist das Finden der eigenen Stimme und das Schreiben der eigenen Geschichte ein sanftes, aber hörbares Leitmotiv. Leise deshalb, weil Malte Huck schon so lange Musik macht und mit sicherem Griff weiß, wie seine Musik klingen soll. Aber eben zum ersten Mal allein, ohne Band als Knautschzone. Immer wieder taucht auch das Thema Sucht auf, und damit verbunden der Wunsch nach Raussein, Taubsein, eine Art nach innen gerichtetes Fernweh. Es geht um Ankommen und Wegfahren, die Leere in den Metropolen und die Befreiung auf den Wegen dazwischen.

BEACHPEOPLE - MAMA I MIGHT BE COMING HOME EU/UK Tour

tonight

BEACHPEOPLE - tonight

BEACHPEOPLE

Chalk is the three-piece project of award-winning musicians and filmmakers Ross Cullen, Benedict Goddard, and Luke Niblock. An informed mix of the Dublins Guitar Band scene, and the sweaty hardcore dance floors of their native Belfast, Chalk are IDLES meets Daniel Avery, Death Grips meets Bicep - techno-infused industrial punk.

Closing their trilogy of EPs with the aptly titled “Conditions III”, Chalk pull on the visual and audio influences of their former releases, delivering on their promises of tension, techno and high-octane guitar rock. Interwoven soundscapes of industrial noise, rapturous techno and guitar-punk sees the Belfast trio at their most vibrant, euphoric and ambitious.

Recorded in remote Iceland, on the eve and aftermath of a volcanic eruption, this new project from Chalk sees the band explore bold new sounds and sonic territories, shaped equally by Nordic brutality and beauty and intense, oppressive urban corridors.

Chalk close their biggest year yet by solidifying their promise as some of the fiercest new performers on the scene. A string of sold-out headlines across the UK and Ireland, 30+ festival dates globally and support slots for IDLES and SPRINTS sets the band up for their biggest headline tour yet, where they will take in stages across Europe and the UK in Feb/March 2025.

This is an 16+ event (or with legal guardian).

Z|ART Agency GmbH

CHALK

The Franklin Electric is a Montreal-based indie folk project led by singer-songwriter and Producer Jon Matte. Evolving from a collective of friends and musicians, the project now captivates audiences worldwide with its intimate and emotive sound.

Jon's lyrics explore self-discovery, relationships, and the intricacies of the human experience. With a Juno nomination for Breakthrough Group of the Year in 2019 and an ADISQ nomination for Anglophone Performance of the Year in 2024, their impact continues to grow. After releasing Oh Brother, in 2023, a very personal collection of songs most where Jon delves into his relationship with his brother while raising awareness about mental health issues.

In August 2024, The Franklin Electric unveiled Victory Songs (Vol. 1), an EP that grapples with the themes of choices and the realities of winning and losing. Looking ahead, they are set to release the full album titled Victory Songs in May 2025, promising to further enrich their narrative-driven sound. With each release, The Franklin Electric invites fans on a profound and resonant musical journey.

This is an 16+ event (or with legal guardian)

The Franklin Electric

Swathed in creativity and thoughtful poetry, Antony Szmierek’s unparalleled songwriting has seen him the subject of a meteoric rise over the past twelve months. Today, he continues to thrill with the release of an upbeat new single ‘How Did You Get Here?’, out on underplay / Lab Records, accompanied by a captivating official music video. The song resides on the dancier end of his sonic spectrum, boasting a hip-hop flow with his trademark, dynamic lyricism.

What started as poetry performances on small stages led to skillfully crafted melodies to accompany his words, and from there more songs. Fast forward to today, and Antony is an A List artist on BBC 6 Music, performed live in session at Maida Vale for BBC Radio 1, played to huge crowds at festivals including Glastonbury, Reading & Leeds, Bluedot, Truck, Lost Village and Down The Rabbit Hole and will be performing on the coveted Later… With Jools Holland on October 7th - a rite of passage reserved for only the most deserving of artists.

Szmierek wrote words before songs. Novels at first, of which he’s published two - but he realised what he wanted people to take from them was smaller quotes, or soundbites. So, gradually his writing became shorter and shorter, boiling down into short stories. With his art, Szmierek joins a host of contemporaries whose skill for crafting melodies and lyrics translate beautifully into both songs and written works.

For Antony, everything slotted into place when the pandemic hit and he bought an electric piano. It became the vessel for the words he’d been writing; a piece of kit to add atmosphere, smudging them with UK garage tones, and the feeling of heading out on Friday night to seek freedom.

What he does so well with his artistry is document incredibly specific details from his life, and others. It’s about making music that tells stories and makes him feel good. Having spent time working as a teacher throughout his twenties, he’s learned the value of “communities, people and empathy. All of these things I value as part of my personality now, I learned while teaching.”

Antony Szmierek

The Hitchhiker's Guide to the Fallacy

The cover photograph of Matilda Mann’s debut album, Roxwell, is not entirely decipherable. Mann, a blurred figure on a quiet street, stands framed by a triptych of neon, light and shadow. The moment, a confluence of light and dark, embodies an essence of Roxwell: its interplay between darkness and hope, its blend of bitter and sweet. “I’ve found life to be this experience of feeling love and joy in a world that’s messed up at the same time”, Mann says. “Through all the ups and downs, I’d like to bring people some calm against the waves.”

Matilda Mann

As It Is

Matilda Mann - Never Sweeter

Jo Hill

Circuit des Yeux is the moniker of Haley Fohr, a vocalist, multi-instrumentalist, and singer-songwriter based in Chicago. Fohr has released albums via De Stijl, Thrill Jockey, and Drag City which have established her as one the American underground's most celebrated figures. Circuit Des Yeux’s 2021 debut on Matador Records, -io, received acclaim from outlets including The New York Times, The Washington Post, NPR, MOJO and The Wire. Recent collaborations include Claire Rousay, Bill Nace, Steve Gunn, Erika Dohi, the Brooklyn Youth Chorus choir, and Robert Aiki Aubrey Lowe. Her second album on Matador will arrive in 2025.

Circuit des Yeux has released new song ‘GOD DICK’. A connective sonic link between Circuit des Yeux’s acclaimed last album, -io, and a new one to follow in the new year on Matador, ‘GOD DICK’ morphs from symphonic swells and staccato strings to a spiraling 170 BPM drum machine cliffhanger, narrated by Fohr’s sonorous vocal.

“GOD DICK serves as a sort of chrysalis function,” says Fohr, “it’s passage leading from the past toward things to come. It's sweaty, exponential, cacophonous, growing, symphonic, and relentless.  I wrote this as an effort to embody a state of change fueled by deep wanting. I sonically (and visually) imagined something huge hiding in a skin much too small for it – a kind of love banshee bursting through porcelain skin one hair at a time until finally, the beast within is fully on display.”

Circuit des Yeux

Circuit des Yeux - Dogma

Circuit Des Yeux

Lael Neale’s minimalist drone pop draws inspiration from the Transcendentalists, the high lonesome sound of primitive American gospel music & the alienation of modern life.

Since signing with Sub Pop in 2020, she has split her time between rural Virginia and Los Angeles in addition to extensive touring throughout Europe and select shows in the U.S.

In collaboration with producer and accompanist Guy Blakeslee, Neale has created two internationally acclaimed home-recorded albums.  They have recently completed a third which is slated for release in 2025.

Kantine am Berghain

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