Acropolis and Mezzanine present Inland Empire, directed by David Lynch. 2006, U.S., 179m, DCP

Introduced by writer Melissa Anderson, author of INLAND EMPIRE (Fireflies Press), followed by a book signing.

David Lynch’s tenth movie—which he has claimed to be his final feature—is also his most inuitive and defiantly avant-garde film, and one of the most significant digital works of the new millennium. Featuring an unforgettably intense performance by Laura Dern, the film was developed out of Lynch’s early-2000s web-short experiments and a 14-page monologue written for Dern, only to expand into a dense, nightmarish web of intrigue, with déjà vu encounters and nefarious doppelgängers appearing within and beyond the Hollywood studio system. Shot piecemeal over the course of a year before Lynch self-distributed it in 2006, INLAND EMPIRE uses the freedom and harshness of digital video to exploit blown-out, muddy images and freakish close-ups, while featuring some of the most haunting original music of his career (by Lynch and Chrysta Bell). Emotional and absorbing, this mise-en-âbyme is as still unclassifiable as it was when first released.

Mezzanine and Acropolis Cinema co-present a special screening of Lynch’s newly remastered epic on occasion of Melissa Anderson’s monograph on the film—part of Fireflies Press’s Decadent Editions, which cover essential works of world cinema from the first decade of the 2000s. Copies of the book INLAND EMPIRE, including a limited number signed by Melissa Anderson, will be available to purchase after the screening.

In English and Polish with English subtitles, new 4K remaster supervised by David Lynch.

“Running three hours, Inland Empire, both visually and thematically, evokes constant dread. Lynch shot it himself, using a Sony camcorder, on muddy, smudgy digital video, a lo-res format that mirrors the movie’s begrimed protagonist and her increasingly tenuous grip on reality. The film is the color of night terrors. Yet despite its overwhelming gloom, Inland Empire mesmerizes, its pull resulting from the thrills of watching a well-known performer, one long affiliated with this particular director, transform, stretch herself into terrified, terrifying characters. Dern’s long, Modigliani-like face has never been more elastic; her mouth becomes a maw, a portal to an annihilating abyss.” -Melissa Anderson

**Melissa Anderson** is the film editor of 4Columns, where she is also a regular contributor. From November 2015 until September 2017, she was the senior film critic for the Village Voice. She writes frequently for Artforum and Bookforum.

This is an age 21+ event

Co-presented by Acropolis and Mezzanine.

Mask not required

Distancing not required

Proof of vaccination

Covid-19 entry policy

2220 Arts + Archives

SCREENING: Inland Empire by David Lynch

film

Film

Los Angeles

SCREENING: Inland Empire by David Lynch

About

Line up

Venue

2220 Arts + Archives

Download the DICE app