Kate grew up as a jazz darling, but she grew into something significantly more dynamic. Days spent practicing and performing became nights spent writing — cathartic indie rock — music simultaneously informed by and rebutting of her training. Forbidden chord progressions emerged like diary entries, documents of an internal reaction to routine. Time intended for technique slipped into secret listening sessions of Beach House, Elliot Smith and TV On The Radio. In the same bright, arresting croon that ignited her youthful stardom, Davis created confessionals.
Presented by Bird On The Wire.
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