Cooking up heavy, all-encompassing sludge metal from their Oklahoma headquarters, Chat Pile’s rise was fast and furious – and solely down to the extent of their talent and ability to transcend scenes and genres. Of their 2022 debut God’s Country, Pitchfork said: “Terrifying and thrilling in equal measure, the debut album from the Oklahoma City sludge-metal band is a vivid rendering of the towering piles of poison littering America’s psychic landscape.”

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Chat Pile

\> This is a 21+ event w/ valid ID at Soda Bar - San Diego.

CHAT PILE "COOL WORLD TOUR WEST"

Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift – a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

Besides being the name of a largely forgotten (and panned) 90s film, Cool World makes for an apt title of Chat Pile’s sophomore full-length record. In the context of a Chat Pile record, the words are steeped in a grim double entendre that not only evokes imagery of a dying planet but a progression from the band’s previous work, moving the scope of its depiction of modern malaise from just “God’s country” to the entirety of humankind. “Cool World covers similar themes to our last album, except now exploded from a micro to macro scale, with thoughts specifically about disasters abroad, at home, and how they affect one another,” says vocalist Raygun Busch.

Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence. Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks. “While we wanted our follow-up to God’s Country to still capture the immediate, uncompromising essence of Chat Pile, we also knew that with Cool World, we’d want to stretch the definition of our “sound” to reflect our tastes beyond just noise rock territory,” reflects bassist Stin. “Now that we had some form of creative comfort zones in place after hitting that milestone of putting out a full-length record, album #2 felt like the perfect opportunity to challenge those limits.” Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg of Uniform (Algiers, Drab Majesty, Metz) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

The proverbial thread tying all of the experimentation on Cool World together is the depth to which Chat Pile dissects the album’s theme of violence. Whether it be the cycle of creating and passively consuming literal and figurative violence on sister tracks “Camcorder” and “Tape”, the diminishment of crimes against humanity by way of foreign policy and colonialism on “Shame”, or the mental anguish of hopelessness on “The New World”, Cool World is an apocalyptically bleak record. Sure, Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”; what Chat Pile depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence. In

film terms, think something like a Criterion arthouse film by way of schlocky grindhouse splatterfest: undeniably gratuitous and thrilling in the moment but leaving a looming dread in the back of one’s mind for how close the horrors depicted mirror reality.

“If I had to describe the album in one sentence,” explains Busch, “It’s hard not to borrow from Voltaire, so I won’t resist – Cool World is about the price at which we eat sugar in America.”

Cool World will be released via The Flenser on October 11, 2024

Chat Pile is: Raygun Busch - Vocals

Luther Manhole - Guitar

Stin - Bass Cap’n Ron - Drums

This is a 21+ event

Soda Bar

CHAT PILE

Gouge Away

Nightosphere

Gigs

San Diego

This is an All Ages event.

The Glass House Concert Hall.

Glass House Concert Hall

CHAT PILE "COOL WORLD TOUR WEST"

Los Angeles

The Glass House

Zebulon

Chat Pile, Purest Form

Purest Form

Chat Pile, Deaf Club

Deaf Club

Oklahoma City noise rock quartet have returned with their follow up to 2022's breakout album God's Country with Cool World, the new 10-song LP set for release on October 11th via The Flenser

Besides being the name of a largely forgotten (and panned) 90s film, Cool World makes for an apt title of Chat Pile’s sophomore full-length record. In the context, the words are steeped in a grim double entendre that not only evokes imagery of a dying planet but a progression from the band’s previous work, moving the scope of its depiction of modern malaise from just “God’s Country” to the entirety of humankind. “'Cool World' covers similar themes to our last album, except now exploded from a micro to macro scale, with thoughts specifically about disasters abroad, at home, and how they affect one another,” says vocalist Raygun Busch. “If I had to describe the album in one sentence,” Busch continues, “It’s hard not to borrow from Voltaire, so I won’t resist – 'Cool World' is about the price at which we eat sugar in America.”Like the towering mounds of toxic waste, the music of Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift

This is an 14+ event

CHALK

Brighton

CHALK 

This event will take place in EartH Hall.

Oklahoma City noise rock quartet Chat Pile have returned with their follow up to 2022's breakout album God's Country with Cool World, the new 10-song LP set for release on October 11th via The Flenser \[pre-order\].

Besides being the name of a largely forgotten (and panned) 90s film, Cool World makes for an apt title of Chat Pile’s sophomore full-length record. In the context of a Chat Pile record, the words are steeped in a grim double entendre that not only evokes imagery of a dying planet but a progression from the band’s previous work, moving the scope of its depiction of modern malaise from just “God’s Country” to the entirety of humankind. “'Cool World' covers similar themes to our last album, except now exploded from a micro to macro scale, with thoughts specifically about disasters abroad, at home, and how they affect one another,” says vocalist Raygun Busch. “If I had to describe the album in one sentence,” Busch continues, “It’s hard not to borrow from Voltaire, so I won’t resist – 'Cool World' is about the price at which we eat sugar in America.”Like the towering mounds of toxic waste, the music of Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It figures that a band with this abrasive, unrelenting, and outlandish of a sound has stuck as strong of a chord as it has. Dread has replaced the American dream, and Chat Pile’s music is a poignant reminder of that shift – a portrait of an American rock band molded by a society defined by its cold and cruel power systems.

Though very much on-brand with Chat Pile’s signature flavor of cacophonous, sludgy noise rock, the band’s shift to a global thematic focus on Cool World not only compliments the broader experimentations it employs with their songwriting but also how they dissect the album’s core theme of violence.

Melded into the band’s twisted foundational sound are traces of other eclectic genre stylings, with examples of gazy, goth-tinged dirges to abrasive yet anthemic alt/indie-esque hooks and off-kilter metal grooves only scratching the surface of what can be heard in the album’s ten tracks. “While we wanted our follow-up to 'God’s Country' to still capture the immediate, uncompromising essence of Chat Pile, we also knew that with 'Cool World,' we’d want to stretch the definition of our 'sound' to reflect our tastes beyond just noise rock territory,” reflects bassist Stin. “Now that we had some form of creative comfort zones in place after hitting that milestone of putting out a full-length record, album #2 felt like the perfect opportunity to challenge those limits.” Besides stylistically stretching the boundaries of the Chat Pile sound, Cool World is also the band’s first record to have someone else handle mixing duties, with Ben Greenberg of Uniform (Algiers, Drab Majesty, Metz) capturing and further amplifying the quartet’s unmistakably outsider and folk-art edge.

The proverbial thread tying all of the experimentation on Cool World together is the depth to which Chat Pile dissects the album’s theme of violence, and the record itself is apocalyptically bleak. Sure, Chat Pile’s debut album was plenty disturbing with its B-movie-inspired interpretation of a “real American horror story”; what Chat Pile depicts on Cool World is unsettling not just from its visceral noise rock onslaught, but from depicting how all sorts of atrocities are pretty much standard parts of modern existence.

If you require access assistance, please contact us at access@earthackney.co.uk for this to be arranged. For more information on access at EartH, please see our FAQs here: https://bit.ly/44dzl75

EartH is a social enterprise committed to supporting new musicians, with music studios in the venue that are completely free for young artists in Hackney to use. Find out more here (https://earthackney.co.uk/about/studio-36/).

This is a 16+ event.

EartH

This is a 16+ event. All attendees 16-17s must be accompanied by a responsible adult who is 18 or older (1:1 ratio). To verify age, ID may be requested. We advise all customers to bring valid ID. For further information, see Age and ID in FAQs. Right of admission reserved.

What are the age restrictions for this event?

London

Like the towering mounds of toxic waste from which it gets its namesake, the music of Oklahoma City noise rock quartet Chat Pile is a suffocating, grotesque embodiment of the existential anguish that has defined the 21st Century. It’s self-parody in its bleakest form and within that nihilism something undeniably alluring that four slacker okies would channel into a sound that has captivated the underground and beyond.

Formed in 2019 and adopting the aliases of Stin (bass), Captain Ron (drums), Luther Manhole (guitar), and Raygun Busch (vocals), Chat Pile generated an immediate stir amid a burgeoning Midwest noise rock renaissance and beyond, releasing two EPs, This Dungeon Earth and Remove Your Skin Please. Its debut full-length record God’s Country, released via The Flenser in 2022, would take the world by storm, receiving universal critical acclaim, numerous accolades including Pitchfork’s Best New Music and countless year-end lists, including Rolling Stone’s Best Metal Albums of the Year and SPIN’s Best Albums of 2022. Chat Pile would enter 2023 with a bang, in just the first six months alone, the band served as support for Lingua Ignota’s final run of shows, released Brothers In Christ, a split EP with fellow “Flyover-Country” noise rock outfit Nerver, and made its fiery international live performance debut at Roadburn 2023.

14+ with Adult / 14-17 must be accompanied by adult (18+)

Brudenell Social Club

Chat Pile - Masc

The HIRS Collective

Leeds

The Leeds Irish Centre

Le quatuor de noise rock d'Oklahoma City Chat Pile est de retour avec Cool World, un nouvel album de 10 titres paru le 11 octobre via Flenser, et qui fait suite à l'album God's Country sorti en 2022.

En plus d'être le nom d'un film des années 90 largement oublié (et rejeté), Cool World est un titre très approprié pour le deuxième album complet de Chat Pile. Ce titre est imprégné d'un double sens sinistre qui évoque non seulement l'imagerie d'une planète mourante, mais aussi une progression par rapport au dernier album du groupe, élargissant la portée de sa représentation du malaise moderne du seul « God's Country » à l'ensemble de l'humanité.

Bien que Chat Pile reste fidèle à son style de noise rock cacophonique, l'orientation thématique globale de Cool World complète non seulement les expérimentations plus larges qu'il utilise dans son écriture, mais aussi la façon dont il dissèque le thème central de l'album, la violence.

\+ Agriculture

L'album « Agriculture » et l'EP « Living Is Easy » sont déjà disponibles via The Flenser.

Chat Pile

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